Posts tagged ‘Tun Tun’

February 18, 2009

Milap (1955)

milap21

Raj Khosla’s first venture into directing is a solid entertainer, although apparently it failed at the box office. The quality of the DVD was lacking, probably due to the source material—it was by turns really dark, overexposed or blurry, and there were definitely some scenes missing, but nonetheless it kept me in my seat! I love that Khosla populates his films with strong and believable female characters, and this is no exception. Lovely and talented Geeta Bali is the heart and soul of this movie, but she’s very ably supported by Dev Anand minus most of his mannerisms, and Memsaab favorite KN Singh as an unscrupulous (but suave and sophisticated, natch!) lawyer.

Khosla assisted Guru Dutt (another Memsaab favorite) and his influence is seen here too—beautifully shot songs, atmospheric use of light and dark (although hampered a bit by time’s wear and tear). And Khosla’s habit of “framing” his shots is here too, although not as sophisticated as in his later films.

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December 18, 2008

CID 909 (1967)

cid909_brain

After suffering through the last two films, I really needed a dose of Mohammed Hussain, maker of low-low-low-budget zany B-movie fare. Fortunately, I had just the thing on hand: a film starring Feroz Khan, Mumtaz, Helen and Bela Bose, with appearances by Tun Tun and Master Shetty! Music by OP Nayyar, choreographed by my new best friend Herman! A plot about a scientific formula written in code for making something touted as a “peace bomb”! I settle into my chair with a happy sigh.

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November 23, 2008

Shikari (1963) Part 2

We left our heroine Rita dangling over sudsy hot pink lava as a giant ape menaced the rest of her traveling companions.

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November 22, 2008

Shikari (1963) Part 1

shikari

Blinding Eastman Color! To my everlasting regret, this film has not made it to DVD with subtitles yet (*now it has!*). But my friend Suhan found it on VCD with no subs and sent it to me; having seen it, I now believe that subtitles are unnecessary, although I would still like to see it nicely digitized and put on DVD (but not by Shemaroo, please). I saw (and understood) enough to tell you that it was cracktastic! And also, chock-full of plot holes and abandoned plot threads, which didn’t matter one bit.

Mostly, the visuals were so entertaining (despite the poor video quality) that I thought I’d put together another comic strip synopsis. The completely loony amalgamation of cultural references more than makes up for any lack of narrative. Plus, the songs by GS Kohli are lovely and include two dances for Helen!

All you really need to know is this: there’s an ice-skating chimp, two crazy scientists, exotic tropical jungles, spear-throwing natives, a volcano, Godzilla, King Kong, a snake pit and more; and a cast which includes Helen, Madan Puri, KN Singh, Tun Tun, Ajit and Ragini.

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November 12, 2008

Kuchhe Dhaage (1973)

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Feeling thwarted by my truncated Phaansi experience, I embarked on another dacoit saga. These films have the added bonus (for me) of engaging Gemma’s attention too (the horses); she goes absolutely nuts which is entertaining by itself. It also makes her very pleased with herself, and how can that be bad? She’s defending me against those big bad animals!

Plus, this movie is directed by Raj Khosla—one of my favorite directors—and it stars Vinod Khanna and Kabir Bedi as deadly adversaries who find redemption through their love for the same girl (the absolutely stunning Moushumi Chatterjee). One more thing about the horses: Vinod’s is a white one named Dara, and Kabir’s is a black one named Toofan. Heh.

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November 8, 2008

Rustom-E-Hind (1965)

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I have to admit that I didn’t expect much from this movie, although I wanted to see it for Helen, Laxmi Chhaya and Madhumati dancing, and Mumtaz as the heroine opposite Dara Singh. Also: KN Singh! and lots of men in tights (as per usual for a Dara Singh starrer). However, it turned out to be an excellent fairy tale of a film, with a coherent plot, a truly detestable villain, and even a semi-bearable comic side plot thanks to Mohan Choti and Tun Tun. The dances did not disappoint either; the music by Hansraj Behl is lovely and Laxmi Chhaya’s number in particular is now one of my all-time favorites.

Oodles of fun!

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November 3, 2008

Heeralal Pannalal (1977)

Five seconds into the film (just after the censor’s certificate) this notice appears:

Hilarious! I absolutely adore the sarcastic, essentially unrepentant tone of it, and apparently it worked just fine for the censors too. This film could be used in a directing class as an example of what can happen when you work “over-enthusiastically” without a script. Halfway through, I had to stop so that I could diagram all the criss-crossing plot threads and character relationships in an effort to keep them straight. It’s not boring! but there is a definite seat-of-the-pants feel to the story, and little things like logic and continuity are thrown right out the window.

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October 18, 2008

Professor (1962)

This film is truly a Shammi showcase. He spends half of it disguised as an elderly professor, and very convincingly too, I might add. It’s one of his best films from an acting standpoint, and he is quite restrained throughout—although still irrepressibly irresistible and charming. Good performances from everyone else in the cast, lovely hit songs by Shankar Jaikishan and locations in beautiful Darjeeling are the juicy cherries on top of this bit of romantic fluff.

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October 6, 2008

Coolie (1983)

Somewhere on the world wide web it says: “Coolie was the biggest grocer of 1983!” Heh heh. That is probably due to the fact that its star Amitabh Bachchan was seriously injured on the sets and almost died—everyone knows that story by now. Many people write the film off now as the same old hackneyed Manmohan Desai story with an aging Big B who was no longer hero material, but I really liked it. Sure, it has now-familiar Desai themes, and it is predictable. Predictably good!!!

Plus, this film is a little less crazed than some of his others. It sticks mostly with the main story, weaving in the side plots more neatly than usual. It’s also a bit lighter on the religious symbolism (most of the characters are Muslim, and secularism is waved at only in passing) and on the usual heavy-handed preaching and long-winded speeches.

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October 2, 2008

Sagai (1966)

This movie made me want to stick needles in my eyes. Every emotional excess was indulged in, and the only enjoyment to be had were the songs by Ravi and a Helen dance. Tragedy piled upon misery piled upon desperation made it difficult to watch for more than 20 to 30 minutes at a time, so it took a week (and a lot of grit and determination) for me to get through it. Why did I feel the need to get through it? I have no idea. Probably I need therapy.

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