August 28, 2015
So proclaims Bhanu Singh (Vinod Khanna) in English at about two hours into this epic, leading me to reflect that if I’ve learned nothing else from Hindi movies, I do know that an unhinged mind and a Rajput heritage are not as mutually exclusive as he thinks. Still, this is possibly my favorite line ever spoken in the history of movies, with the bonus of an unnecessary but hilarious subtitle: “I am not insane, I am a Rajput!”
Actually, the subtitles are one of my favorite things about this movie, and there are a lot of favorite things.
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August 29, 2009
I watched a lot of films early on because they were on lists of Hindi film “classics” that one should watch. Some I remember well, some I do not. This is one that I didn’t think I remembered, until I began to watch it again and realized: “Oh this is where I saw that!” Turns out that a lot of my memories from “some movie” are all from this one. I’m hoping that the memories got fragmented because Hindi cinema was all so new to me back then—I was absorbing so many things, many of which I can take for granted now so they don’t distract me. Otherwise, I need to worry about my brain, because this is a great movie. The script and the performances are pure gold. If I had to put it simply I’d say it’s a story about choices, and the things that influence those choices and shape a human being, and it is done with such finesse that I am left speechless (okay, not really; this is a long post, even for me). It is a brilliantly crafted psychological portrait of the damaged Vijay in particular, supported by simply stunning performances from Amitabh Bachchan and Alankar Joshi, who plays Vijay as a boy. There is nothing wasted—not a word, not a look, not a nuance, not a scene.
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December 18, 2008
After suffering through the last two films, I really needed a dose of Mohammed Hussain, maker of low-low-low-budget zany B-movie fare. Fortunately, I had just the thing on hand: a film starring Feroz Khan, Mumtaz, Helen and Bela Bose, with appearances by Tun Tun and Master Shetty! Music by OP Nayyar, choreographed by my new best friend Herman! A plot about a scientific formula written in code for making something touted as a “peace bomb”! I settle into my chair with a happy sigh.
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