August 28, 2015
So proclaims Bhanu Singh (Vinod Khanna) in English at about two hours into this epic, leading me to reflect that if I’ve learned nothing else from Hindi movies, I do know that an unhinged mind and a Rajput heritage are not as mutually exclusive as he thinks. Still, this is possibly my favorite line ever spoken in the history of movies, with the bonus of an unnecessary but hilarious subtitle: “I am not insane, I am a Rajput!”
Actually, the subtitles are one of my favorite things about this movie, and there are a lot of favorite things.
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December 9, 2010
Sometimes I just have to ask myself if I live in a cave or something. Why have I not seen this movie before?! I could have seen it ten times by now! Why am I so late to this party?
But better late than never, especially to a party like this one. Beyond the endless (and largely nonchalent) WTF-ery there is a lot going on, much of it possibly unintended but tremendously engaging nonetheless. Hacking my way through the dense plot I spot references to the legend of King Arthur, Disney’s Sleeping Beauty, the Bible, Beastmaster, Alice In Wonderland, William Faulkner and so much more. I revel in Amitabh’s recyled outfit from Shahenshah and Rajasthan’s gorgeous Amber Fort. Best of all, I am led to ponder issues like “What is the lifespan of a dolphin, anyway?” and “What’s the point of having a magic talisman that turns into an elephant if you never use it?”
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February 22, 2010
Despite my near-certainty that I should know better, I once again succumbed to the lure of the Mithun-Ravi Nagaich combo. Feeling that I needed something *fun* to do, I watched Gun Master G-9 battle the unnecessarily complicated maneuverings of Evil with equally needlessly elaborate gadgets and code names—all the while still failing to convince me that his lacklustre activities in various nightclubs could really be classified as “dancing.” Ahem.
The beauty of Surakksha lies in the triumph of imagination over economics. I pretty much have to love and respect a filmmaker who spends most of his spy-movie budget on wallpaper and furnishings. This lacks the yellow plastic locusts of its sequel Wardat, sadly, but compensates by making said locusts appear positively high-tech in comparison to what GMG-9 encounters here. And the cinematography, courtesy of director-producer Nagaich in a triple threat, is really interesting. Crazy angles, migraine-inducing lighting…it’s all there. This writeup is even more screenshot-heavy than usual, due to the spectacular visuals which have to be seen to be believed. No real attempt to link plot points together is made: the story consists mostly of random (stolen from Bond) events which serve as an excuse for plenty of action and accessories which are a cracktastic tribute to the Indian spirit of jugaad.
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