Posts tagged ‘Tina Munim’

August 28, 2015

(I am not out of my mind, I am a) Rajput (1982)

So proclaims Bhanu Singh (Vinod Khanna) in English at about two hours into this epic, leading me to reflect that if I’ve learned nothing else from Hindi movies, I do know that an unhinged mind and a Rajput heritage are not as mutually exclusive as he thinks. Still, this is possibly my favorite line ever spoken in the history of movies, with the bonus of an unnecessary but hilarious subtitle: “I am not insane, I am a Rajput!”

Actually, the subtitles are one of my favorite things about this movie, and there are a lot of favorite things.

rajput_subs

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September 30, 2012

Katilon Ke Kaatil (1981)

Some of you I imagine will scratch your heads and say: “This is the dubious production she’s choosing to review after so long?”

Many more of you will say: “Well of course it is.

To all of you I have only two words: Arjun Hingorani. I have seen a few films in the month since I last posted a review, but as nice as some of them were they simply didn’t inspire me enough to overcome the cloud of Callie-worry and work overload. I was positive that the letter ‘K’ loving Mr. Hingorani would have something up his sleeve to make my eyes pop out. And so he did. He always does.

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July 20, 2012

Fiffty Fiffty (sic) (1981)

This is maybe not the post I should choose to write in memory of Rajesh Khanna, but it happened to already be under construction and he was so charming in the film…so why not? One shouldn’t defy kismat.

I loved this lunatic movie. It cannot by any stretch be called either well-written or even wildly original, but it is solidly entertaining if you like this sort of thing (illogical melodrama) which I do. Infants are switched at birth for nefarious purposes and spirited away for good ones; one of the villains is a bitter hunchback; we have con artists conning each other, a mute illiterate downtrodden mother trying to communicate a terrible secret (and failing) for years and years and years, divine intervention at moments of sheer despair, and the Rainbow Splendor of Disco—a mishmash that makes this one hard to forget. Laxmikant Pyarelal’s music is good fun, and I love the cast, too: even the completely age-inappropriate Rajesh Khanna-Tina Munim pairing works, maybe because Tina’s character is so worldly-wise that she doesn’t seem young. Plus Rajesh seems to be enjoying himself thoroughly, as he should, and is very handsome indeed.

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March 15, 2008

Trivia time #17

In which film did two different actresses play one character (and not as two different ages, i.e. the child and the adult), as opposed to the more usual convention of one actress playing two different characters?

This is one of the actresses.

trivia171.jpg

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August 29, 2007

Karz (1980)

Karz was a smash hit in India when it was released. It has those ever-popular elements of reincarnation, deep spiritual connection to one’s mother, revenge and bad disco music. It also has a grandiose plot very characteristic of its director, Subhash Ghai. You might think from these comments that I did not care for the film, but I found it strangely enthralling. It veers crazily from one genre to another — is it a disco movie? a romance? a murder mystery? a supernatural thriller? — the answer of course is yes, all that and more besides!

The story begins with a courtroom judgment being delivered in favor of Ravi Verma (Raj Kiran) and against a mute sinister figure (Premnath), whose name is referred to variously throughout as

surjuda.jpgkarz_sir_juda.jpgkarz_sir_tudor.jpg and karz_judah.jpg

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