Posts tagged ‘Simi Garewal’

December 12, 2011

The Cat Wall-Hanging

I have now seen this particular place in four different films spanning nine years. Originally I thought it was a set, but it now seems difficult to believe that a set would remain so unchanged over that time frame. Almost nothing does change, except the dining table chairs and floor coverings! The light fixtures remain almost identical, as do the altar (?) beside the second door, the stone walls, the stairs, the ceilings—and of course the Cat Wall-Hanging.

Surely if it were a set, different art directors would have changed it from film to film and most certainly from year to year, don’t you think? Especially since the whole thing is really retro-hideous (which is why I love it so).

(left to right: Namak Haraam—1973, Chorni—1981)

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September 14, 2010

Andaz (1971)

It’s time to return to beloved Shammi: my eyes have been roving of late (Chandramohan, Shyam, the Shash)—but they will always come back to my favorite! One of my goals for this blog is to write about all his movies that I can find and comprehend (i.e. with subtitles). This is one I haven’t watched in a very long time despite remembering it as a wonderfully romantic story which I enjoyed very much. And I love Shammi in this film; he shows a subdued maturity that is really appealing without losing the Melt Factor that I so adore in him. And although Hema is obviously much younger (she is so gorgeous in this), her character has a gravity that makes it work. The kids are not as annoying as they might be either, especially Master Alankar as Hema’s really cute son Deepu. Baby Gauri—Shammi’s daughter Munni—is a hilarious little monkey, if a little *too* spoiled rotten at times.

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December 16, 2009

Professor Pyarelal (1981)

Image and song courtesy of Third Floor Music.

So. For days now I’ve been prancing around singing “Prooooooo-feeeeeeeee-ssor PYARE-lal!” I can’t stop, and it’s seriously beginning to make me want to kill myself. Perhaps I can purge myself of it if I write the film up and share a shortened version of the title song here to move the voodoo along. Sorry—but it’s a last-ditch effort for some peace! Hoo Haa!

On this film’s plus side are that it is an homage to (some might say stolen from) Masalameister Manmohan Desai, and it contains my Beloved Shammi with the Always Utterly Fabulous Nadira by his side, villains Amjad Khan and Jeevan, flanked by an assortment of sideys like Sudhir, Yusuf Khan and Narendranath, Dharmendra (he may be older, but he is in FINE shape), Simi, whom I inexplicably love, and the catchy (sometimes too catchy, see above) tunes by Kalyanji Anandji.

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September 7, 2008

Namak Haraam (1973)

When people roll their eyes and scoff at “Bollywood” this is the kind of film it’s nice to have on hand to prove all their misconceptions wrong. It is a powerful social drama with great performances from everyone and a tightly written (Gulzar) and directed (Hrishikesh Mukherjee) story. There’s not a minute wasted. It’s sad—and you know I hate sad—but it’s a film I’m glad I’ve seen and would heartily recommend, though my swollen eyes may never recover. Wah!

Rajesh Khanna and Amitabh Bachchan are paired again as best friends after Anand, and are superb. And Om Shivpuri (who is inextricably linked in my brain to evil Mr. Oberoi in Disco Dancer) delivers in a small but pivotal role as an unscrupulous businessman. The core issue—socialism as a cure for the plight of the middle and lower classes (and a responsibility of the wealthy) still seems as relevant today as it was thirty-five years ago.

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August 29, 2007

Karz (1980)

Karz was a smash hit in India when it was released. It has those ever-popular elements of reincarnation, deep spiritual connection to one’s mother, revenge and bad disco music. It also has a grandiose plot very characteristic of its director, Subhash Ghai. You might think from these comments that I did not care for the film, but I found it strangely enthralling. It veers crazily from one genre to another — is it a disco movie? a romance? a murder mystery? a supernatural thriller? — the answer of course is yes, all that and more besides!

The story begins with a courtroom judgment being delivered in favor of Ravi Verma (Raj Kiran) and against a mute sinister figure (Premnath), whose name is referred to variously throughout as

surjuda.jpgkarz_sir_juda.jpgkarz_sir_tudor.jpg and karz_judah.jpg

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