Fate has conspired to push snake movies at me from all angles this month; so be it. Until Doodh Ka Karz came along this was my topmost favorite of the genre and it is at least still tied for first. I love it for the ridiculous special effects, the Seventies style, the star-crammed cast and the shape-shifting, vengeful ichchadhari nagin Reena Roy. These things more than make up for the heavy-handed (at times) preaching on a wide number of subjects: marriage, wifely duty, religion, sacrifice, revenge, redemption. I was only planning to mine this for screenshots for my “Nahiin! Face Gallery” (coming soon), but I couldn’t stop watching once I began. There are lots of Nahiin! Face moments, but there are some surprisingly sensitive ones too. All in all it’s an odd mixture of things, almost none of them boring.
Khoon Bhari Maang (1988)
And of tortuous eye-searing aesthetics! It also defies convention in its lack of a “hero”: all this film needs is Rekha. What a presence she has indeed!
By any standards (even mine) it cannot be called a good film. But I was never tempted to stop watching. I only ever even paused, in fact, long enough to refill my wine glass. How Bollywood manages to consistently churn out things which are dreadful but riveting is a mystery to me. Gemma liked this one too, because the cast included two highly intelligent animals: Raja the horse, and Jumbo the dog. She barked at both of them gleefully, no doubt in encouragement for their perspicacity and valiant attempts to combat evil.
Kabir Bedi is—the Marlboro Man!
Kuchhe Dhaage (1973)
Feeling thwarted by my truncated Phaansi experience, I embarked on another dacoit saga. These films have the added bonus (for me) of engaging Gemma’s attention too (the horses); she goes absolutely nuts which is entertaining by itself. It also makes her very pleased with herself, and how can that be bad? She’s defending me against those big bad animals!
Plus, this movie is directed by Raj Khosla—one of my favorite directors—and it stars Vinod Khanna and Kabir Bedi as deadly adversaries who find redemption through their love for the same girl (the absolutely stunning Moushumi Chatterjee). One more thing about the horses: Vinod’s is a white one named Dara, and Kabir’s is a black one named Toofan. Heh.