Posts tagged ‘Mohan Choti’

April 2, 2011

Pagla Kahin Ka (1970)

Now available with subtitles thanks to Tom and Raja!

Sometimes (well, quite often really, due to my suspect tastes) I see a film which wasn’t a hit and I say WHY, UNIVERSE, WHY? Despite the magical combination of Shammi Kapoor in his prime with Shakti Samanta directing, backup from Helen and Asha Parekh, lovely songs (Shankar Jaikishan) and an emotionally compelling and unusual plot, this movie apparently bombed at the box office and has not—until now!—even been put on a dvd with subtitles. (If you would rather just get to the download and not have to read my drivel, scroll all the way down to the end.)

It is not perfect but I found it deeply engaging and sensitive: it is largely about loss, and I think it is one of Shammi’s best performances.

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March 28, 2011

Nasihat (1967)

Nasihat double-Daras you not to like it and wins!

Sorry. My brain is addled with grief and self-pity these days and half the time I don’t know what I’m saying. Unsubtitled Dara Singh films are proving most appropriate for my powers (or lack thereof) of concentration, and a loony band of smugglers calling themselves the Golden Gang—based out of the Hotel Mogambo—being infiltrated by CID officers cannot possibly be bad, right? Right. It is, in fact, deliciously campy and entertaining even though several of the plot points escaped me (most notably the CSP which I didn’t care about anyway). What did not escape me is that there are two Daras, one Randhawa, a Helen, a Madan Puri, a faux Chinese henchman, a midget, a plethora of corpulent bald wrestlers, and a Boss with a somewhat pitiful little Desk Lair from which he issues his commands.

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June 1, 2010

Samson (1964)

Needing to recover from the horror that was Hawas, I felt that a little bit of gentleman Dara Singh might go a long way towards soothing my ruffled feelings. Sadly, not much Dara is available with subtitles, but I figured the eye-candy inherent in a sword-and-sandals picture featuring also a young Feroz Khan, Ameeta and Mumtaz would doubtless be enough. And it is! Truly I have no idea what actually goes on in this film. The plot details escape me, but I can tell you that in true Dara Singh fashion, Samson is not only a strong-man Biblical type wearing a skirt and gladiator sandals, but also a Tarzan friend-of-elephants type, and he and Mumtaz share the best romantic chemistry I’ve seen yet in a Dara epic.

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February 4, 2010

Bhoot Bungla (1966)

This Mehmood movie is a total hoot. I can’t believe I hadn’t seen it before, although I have seen all the songs and the songs really are the film. They dominate a story which deftly blends horror and comedy, managing to be suspenseful and funny—not a combination I’d think would be easy to balance. It doesn’t always work smoothly, but is so much fun that it doesn’t matter.

I sometimes complain about the “entirely too much of Mehmood” phenomenon that blights a lot of mid-sixties Hindi cinema, but here he seems mostly content to be part of a great ensemble cast that includes the maestro behind the fabulous music, Panchamda himself. Possibly it helps that he directed as well, which may have kept him too busy to hog center stage: he clearly worked very hard on crafting this! The romance with heroine Tanuja is tepid, but again it doesn’t matter: romance is not the point. Plus she is lovely as usual, and such a good actress that it’s always a treat to see her.

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December 3, 2009

Bluff Master (1963)

For all the Manmohan Desai and Shammi films I’ve written up, it’s kind of criminal that I’m only now getting to one of their collaborations. Better late than never, right? And this is a much better film than their second venture together, Budtameez (1966). In fact, this is a film to which Shammi brought his acting “A” game. He is just great in it, giving a realistic and three-dimensional portrayal of a slick and charming con man who has some hard lessons to learn. Saira Banu is his love interest, and although she’s not my favorite, she is lovely to look at here and, as with Junglee, a good foil for Shammi. Mr Desai himself shows little sign of the unrestrained lunacy he was to bring to cinema in the 70s, and has directed a movie with brisk pacing, interesting characters and an entertaining—if predictable—story. The songs, by Kalyanji Anandji with the able assistance of Laxmikant Pyarelal, are just fabulous too.

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November 8, 2008

Rustom-E-Hind (1965)

rustomehind

I have to admit that I didn’t expect much from this movie, although I wanted to see it for Helen, Laxmi Chhaya and Madhumati dancing, and Mumtaz as the heroine opposite Dara Singh. Also: KN Singh! and lots of men in tights (as per usual for a Dara Singh starrer). However, it turned out to be an excellent fairy tale of a film, with a coherent plot, a truly detestable villain, and even a semi-bearable comic side plot thanks to Mohan Choti and Tun Tun. The dances did not disappoint either; the music by Hansraj Behl is lovely and Laxmi Chhaya’s number in particular is now one of my all-time favorites.

Oodles of fun!

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October 26, 2008

Shehzada (1972)

Oh oh oh I love this movie! Beautiful Rakhee, yummy Rajesh, imperious Veena, nuanced characters, an interesting story, plot twists, humor, lovely RD Burman songs, and plenty of squishy dil™ (ppcc)! The melodrama was saved for the very end, when it was welcome, because by then I cared so much about everybody and everything turning out okay. The film is also beautifully shot—a visual feast, with sumptuous sets and lovely hilly scenery, and interesting camera angles. And beautiful Rakhee and yummy Rajesh!

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October 24, 2008

Pyar Ki Kahani (1971)

I really need to see more Tanuja. I like her in everything I see her in (Jewel Thief, Do Chor, Haathi Mere Saathi, for example) even if I haven’t particularly liked the movie much (Mere Jeevan Saathi, for example). It holds true for this film too: Tanuja is lovely and fun to watch. Despite a lively soundtrack from RD Burman and Amitabh’s lambi presence, the film really only lit up when she was onscreen. The story is ho-hum, and there’s all the usual overacting and melodrama, but she makes it watchable somehow.

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July 21, 2008

Double Cross (1973)

Regulars here know by now that I adore Vijay Anand. So I was very happy to find him circa 1972 in a film with a title that promised some intrigue and action, and a very young Rekha costarring. Well, the early 70s style did not disappoint, including a groovy RD Burman background score and songs. Rekha did not disappoint, either. But.

The story made no sense at all until the end, when it copped out completely. What a mess. I expect more from my Vijay (he didn’t direct, but he did write the screenplay and star). My notes on the film are mostly scribbles along these lines: Her belt! That vest! WTF??? OMG rekha so fat! Green walls! Huh? Those shoes!

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June 17, 2008

Chorni (1982)

This film belongs to Neetu Singh: she is the central character in it, and she gives an excellent performance. Yes: it’s a film centered around a female protagonist! A rare treat indeed! Beyond that, it’s an excellent film which highlights social issues (plight of the poor, criminal reforms), has a fab retro vibe, and is just plain entertaining, by turns funny and moving.

I love this movie!

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