Posts tagged ‘DK Sapru’

July 3, 2012

Prince (1969)

Reader Chris brought the sad lack of reviews on the internet of this film to my attention recently, and I am surprised. This is a really fun film, and though Shammi is admittedly towards the end of his career as a hero, he is still the Shammi who made hearts go pitter-patter. The songs are classic Shanker-Jaikishan-Rafi-Shammi, with the dance-off between Helen and Vijayanthimala probably its most well-known feature. But there’s so much more to it than that! Shammi is less exuberant than the Yahoo Shammi of early in the decade, which gives his performance a more subdued realism. He plays Prince Shamsher Singh, the jaded, bored, arrogant son of the Maharajah of Ramnagar (Ulhas); the film is about how wealth and privilege do not guarantee happiness, not by a long shot. This theme—and the setting, at the twilight of the Princely States—may be be trite, but they are no less valid; and the screenplay and story are penned by none other than Abrar Alvi. And the supporting cast…let’s just say it is a gift that keeps on giving.

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April 16, 2012

Mujhe Jeene Do (1963)

Now with English subtitles!

I’ve said it before and I’m likely to say it again: I love Sunil Dutt as a dacoit. He is just so perfectly suited to the black tilak, the mouche, the gold hoop earrings, the manly bullets slung around his tall form.

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December 2, 2011

Mahal (1969)

The first hour and 45 minutes of this film are solid entertainment: an interesting suspense plot, pretty songs, beautiful Darjeeling, and plenty of sparks between Dev Anand (playing a 28-year-old and basically pulling it off at the age of 46) and Asha Parekh. Plus young Farida Jalal as a seductive nurse! But as so sadly often happens the last 45 minutes or so disappoint. This could be because there seem to be some scenes missing as the story reaches its dramatic peak which make subsequent events confusing and out of place. How edifying would it be to discover the place where all these thoughtlessly excised scenes and songs go to die a largely unmourned death?

Still and all, Mahal is a lot of fun and I’d watch it again.

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July 25, 2011

Patthar Aur Payal (1974)

Here we have another formulaic daku-drama, by which I mean I loved it. So many throbbing neck veins (Dharmendra, Vinod Khanna, Ajit)! So many ferocious eyeball-to-eyeball staredowns! So many lines spat out through clenched jaws—and Prem Chopra nowhere in sight! So many manly men named Singh!

It is chock-full of Man Candy; pretty, pretty horses; the usual assortment of terrible wigs that do nobody any favors; men in hoop earrings; and that love which passeth all understanding—the unconditional bhai-bhai rishtaa. Hema Malini provides the Woman Candy and is the feisty catalyst for the eventual showdown between brothers and rivals. Plus, wonderful music from Kalyanji Anandji, including some funked-up title music!

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March 28, 2011

Nasihat (1967)

Nasihat double-Daras you not to like it and wins!

Sorry. My brain is addled with grief and self-pity these days and half the time I don’t know what I’m saying. Unsubtitled Dara Singh films are proving most appropriate for my powers (or lack thereof) of concentration, and a loony band of smugglers calling themselves the Golden Gang—based out of the Hotel Mogambo—being infiltrated by CID officers cannot possibly be bad, right? Right. It is, in fact, deliciously campy and entertaining even though several of the plot points escaped me (most notably the CSP which I didn’t care about anyway). What did not escape me is that there are two Daras, one Randhawa, a Helen, a Madan Puri, a faux Chinese henchman, a midget, a plethora of corpulent bald wrestlers, and a Boss with a somewhat pitiful little Desk Lair from which he issues his commands.

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March 15, 2011

Hare Kanch Ki Chooriyan (1967)

I was pleasantly surprised by this no-holds-barred launch vehicle for producer-director Kishore Sahu’s daughter Naina, although possibly not for the reasons he intended. It is a colorful and melodramatic soap opera of the first order, and the actors are given full scope for expressing every emotion from despair to…well, utter despair. Rarely have I enjoyed other people’s anguish so much. It is also surprisingly progressive, especially for a star daughter’s debut: she gets pregnant while unmarried, and is eventually accepted by the townspeople as a single mother! There’s even a little plug in favor of sex education.

Plus the music is superb: in addition to some pretty love songs are two Helen numbers (and she has a sizable role) and a picnic with everyone doing the twist! Happy, happy.

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January 24, 2011

Hanste Zakhm (1973)

I am very happy that this was not the first Chetan Anand film I saw, because it then may well have been my last, robbing me of films I really love (notably Aakhri Khat and Taxi Driver, but also HaqeeqatAandhiyan and Kudrat). I have only ever seen Priya Rajvansh in Kudrat and Haqeeqat, and although I liked her fine in both of those I gathered from comments that her reputation as an actress is…well. Let’s just say I understand those comments perfectly now. She pretty much single-handedly destroys this film with her nails-on-a-chalkboard performance. I have never been so irritated by someone’s voice and demeanor in my whole life.

Having said that, I will also add that even without her I would have found Hanste Zakhm disappointing. The story had potential to be path-breaking—I loved the beginning, and it could have developed into something truly thoughtful and interesting; but instead it took the safe (ie ultra-conservative) road and fell flat on its face.

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June 14, 2010

Wahan Ke Log (1967)

*Now with subtitles!*

I guess wishing very very hard for something does make it come true—at least sometimes, when you have friends like Tom and Raja. I saw this film a couple of years ago but never bothered to write it up because there was no reason to: Todd over at D4K already had, and brilliantly so. We have long lamented the lack of subtitles for this; it has a LOT of plot, and much of it is incomprehensible without understanding the dialogues. So when Tom recently found some awesome people willing to help subtitle songs for his wonderful compilation dvds (hooray for Ava, Madhu and Raja!), I somehow got him to agree to make a subtitled version of this enchanting and stylish Indian science fiction should-be classic.

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January 25, 2009

Bhai Ho To Aisa (1972)

bhta

Manmohan Desai! How I adore you. And this sort-of-medieval swashbuckler with snake gods, sword-fights, dacoit Ranjeet, Bela Bose as a greedy courtesan, and Jeetendra and Shatrughan Sinha as brothers on opposite sides of that pesky line between good and evil has not changed my mind one little bit. The setting is gorgeous too, as the movie was shot on location at the spectactular Laxmi Vilas Palace belonging to the Maharajah of Baroda. It’s much less loony than the film it vaguely reminded me of (Dharam-Veer); I guess, my dear Manmohan, you hadn’t quite reached your full masala stride yet. Still, it’s an entertainer in your trademark style, with lots of action and well-drawn characters.

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