Posts tagged ‘Nasir Hussain’

March 23, 2016

Lalkar (1972)

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The film’s title is actually Lalkar (The Challenge) but I never did figure out what the Challenge was, other than getting through the Comic Side Plot interruptions and tepid romantic interludes which kept intruding on the otherwise fun espionage plot. Rajendra Kumar and Mala Sinha get top billing, so I was hoping to collect some Nahiiin Face additions for the Gallery but they were fairly restrained. They are supported by a stellar cast of character actors led by the inestimable Shyam Kumar as the eye-patch wearing Japanese villain, Dharmendra at his peak, saucy Kum Kum, some really special special effects, and a host of small details that made it eminently watchable.

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March 15, 2011

Hare Kanch Ki Chooriyan (1967)

I was pleasantly surprised by this no-holds-barred launch vehicle for producer-director Kishore Sahu’s daughter Naina, although possibly not for the reasons he intended. It is a colorful and melodramatic soap opera of the first order, and the actors are given full scope for expressing every emotion from despair to…well, utter despair. Rarely have I enjoyed other people’s anguish so much. It is also surprisingly progressive, especially for a star daughter’s debut: she gets pregnant while unmarried, and is eventually accepted by the townspeople as a single mother! There’s even a little plug in favor of sex education.

Plus the music is superb: in addition to some pretty love songs are two Helen numbers (and she has a sizable role) and a picnic with everyone doing the twist! Happy, happy.

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February 1, 2011

Tasveer (1966)

With subtitles, this film might have annoyed me, but without them it is a sublimely entertaining experience from Wadia Movietone. Undistracted by the dumb plot and self-pitying dialogues, I reveled in:

  • the hirsute insanity of Nasir Hussain (he is UNABOMBER insane in this film!)
  • the drink-fuelled angsty despair of artist Sajjan
  • Helen’s fashions and scheming eyebrows
  • Feroz Khan pretending he is Shammi! (and he is so FINE, he almost succeeds)
  • Chitalkar Ramchandra’s fantastic songs
  • the plump chipmunk cheeks and flowing Kashmiri outfits (and eyeliner) of Kalpana
  • and the lovely scenic gardens and mountains of Kashmir itself

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June 25, 2010

Arzoo (1965)

If there’s one thing I know, it’s that when two male friends love each other in that peculiarly intense way of Hindi film heroes, the women in their lives will suffer. It would just be better all around if the two guys set up house together and called it a day, na? Rajendra Kumar and Feroz Khan would have such lovely children.

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February 4, 2010

Bhoot Bungla (1966)

This Mehmood movie is a total hoot. I can’t believe I hadn’t seen it before, although I have seen all the songs and the songs really are the film. They dominate a story which deftly blends horror and comedy, managing to be suspenseful and funny—not a combination I’d think would be easy to balance. It doesn’t always work smoothly, but is so much fun that it doesn’t matter.

I sometimes complain about the “entirely too much of Mehmood” phenomenon that blights a lot of mid-sixties Hindi cinema, but here he seems mostly content to be part of a great ensemble cast that includes the maestro behind the fabulous music, Panchamda himself. Possibly it helps that he directed as well, which may have kept him too busy to hog center stage: he clearly worked very hard on crafting this! The romance with heroine Tanuja is tepid, but again it doesn’t matter: romance is not the point. Plus she is lovely as usual, and such a good actress that it’s always a treat to see her.

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July 1, 2009

Chirag (1969)

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Sometimes even a viewer with no clue about filmmaking (that would be me) can sense when the director (in this case, Raj Khosla) is a good one. Such is the case with this film, which has a fairly unremarkable story (until the end, when it plunges into irritatingly stupid) and pleasant but dull music (Madan Mohan). But the romantic chemistry between the lead pair alongside the interesting camera work and the brisk pace keeps everything going, which kept me going too. The sometimes hilarious subtitles helped, although I doubt that Raj Khosla had anything to do with those. I should also say that Asha Parekh looked absolutely gorgeous in this film, and I think our director thought so too, because there are a lot of lingering closeups of our heroine!

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June 30, 2009

Sometimes I love that I don’t speak Hindi

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May 18, 2009

Bombay To Goa (1972)

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Finally (thanks to Beth!) I got around to watching this Mehmood production, and I’m so glad I did. I seem to be on a roll of “not much plot but plenty of other stuff to entertain” types of films! I am sure I missed a lot of the regional humor, although some of it was so broad I couldn’t miss it—the south Indian family, for instance. Parts of it did drag on a little too long (the whole film was one big long Comic Side Plot, after all), but it was so much fun picking out guest actors and marvelling at Amitabh’s shirts that altogether I was highly entertained. Some of the subtitles were hilarious too—sometimes even because the actual dialogue was hilarious. Although Aruna Irani and Amitabh Bachchan were nominally the hero-heroine, it was a Mehmood & Friends vehicle all the way (no pun intended)!

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April 24, 2009

Mere Sanam (1965)

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If ever a film really really really (really) wanted to be a Shammi film, it’s this one. It has:

  • Feisty Asha Parekh as the reluctant heroine (eventually won over after being stalked relentlessly by the hero)
  • A gaggle of girlfriends around her (chief amongst them Laxmi Chhaya!)
  • Sidekick Rajendranath (complete with loony antics)
  • Pran in an orange wig
  • Lovely lovely songs by OP Nayyar (sung beautifully by Rafi and Asha B.)
  • Kashmir, gorgeous Kashmir (and quite a few plot elements lifted directly from Kashmir Ki Kali)

All it really lacks is Shammi himself. Instead, we are given…Biswajeet. Poor Biswajeet. However, he does his best to imitate Shammi and mostly it’s a fun-packed and stylish delectation; it does go a bit off the rails at the end into kidnapping and murder territory (oh, Pran. Pran, Pran, Pran). The DVD picture quality is pretty bad too: someone should restore this one for sure! A very young Mumtaz graces the screen with her presence briefly, and there is the usual assortment of character actors and rotund funnymen adding to the entertainment. And I simply LOVE the songs.

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February 9, 2009

Main Sunder Hoon (1971)

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Pointless plot provides framework for awesome songs and cute star cameos: that pretty much sums this film up. It is a Mehmood vehicle, and although Mehmood does his best—and provides some funny moments—the fabulously picturized Shankar Jaikishan songs, peppered by short appearances by stars like Waheeda Rehman and Rajendranath in a “behind-the-scenes” look at movie-making, are what made it worth sitting through. I got this film on the strength of one of its songs which Richard over at Dances On The Footpath had posted. I defy anyone to watch it and then NOT spend the rest of the day bursting forth with “Naach meri jaan—fa-taa-fat!”

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