Posts tagged ‘Siddhu’

April 16, 2012

Mujhe Jeene Do (1963)

Now with English subtitles!

I’ve said it before and I’m likely to say it again: I love Sunil Dutt as a dacoit. He is just so perfectly suited to the black tilak, the mouche, the gold hoop earrings, the manly bullets slung around his tall form.

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December 2, 2011

Mahal (1969)

The first hour and 45 minutes of this film are solid entertainment: an interesting suspense plot, pretty songs, beautiful Darjeeling, and plenty of sparks between Dev Anand (playing a 28-year-old and basically pulling it off at the age of 46) and Asha Parekh. Plus young Farida Jalal as a seductive nurse! But as so sadly often happens the last 45 minutes or so disappoint. This could be because there seem to be some scenes missing as the story reaches its dramatic peak which make subsequent events confusing and out of place. How edifying would it be to discover the place where all these thoughtlessly excised scenes and songs go to die a largely unmourned death?

Still and all, Mahal is a lot of fun and I’d watch it again.

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July 25, 2010

Jab Se Tumhen Dekha Hai (1963)

Way back when I wrote my “ten favorite qawwalis” post, someone pointed me to the one from this film (only available on vcd at the time) which features Shammi and Shashi Kapoor plus Bhagwan, Om Prakash, Kumkum and Shyama in guest appearances. So when the movie finally appeared on a dvd with subtitles I jumped at it. Of course one should perhaps be wary when the dvd cover expends much of its available space advertising the “Star Studded Qawwali” but never mind. I cannot resist Shammi.

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November 4, 2009

Intaquam (1969)

intaquam_helen

Ah, what a film this is. If you have a hankering for something that careens wildly along, going from completely loony, to sweetly touching, to dumb and illogical, and back to loony again, look no further. I wouldn’t call it technically a good film, but it is highly entertaining. And I loved it! With features like Excellent Use of Helen, a zealous and melodramatic murderer named Snaky, a disfiguring cake, useful little white mice, lost and found family members, fantabulous songs (Azad in blackface!), plus Memsaab favorites Ashok Kumar and Rehman as friends-turned-bitter-foes, how could I not?

I have been longing to see this with subtitles, but didn’t think it was available except on an unsubtitled (and unplayable after ten minutes) VCD. Many thanks to Tom D (the most banned-from-YouTube-person-on-earth) (my opinion only, not backed up by anything resembling actual facts) (but still: I think it’s because he does what Indian DVD manufacturers can’t be bothered to do, which is to clean up the picture and sound quality, remove their intrusive and gaudy logos, and add subtitles, thereby making them look bad—as they deserve to—so they complain and he gets suspended, over and over again). Anyway, thank you my friend! for supplying me with this particular ginormous rock of crack.

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December 20, 2008

Apradh (1972)

apradh

So much fun and stylish goodness packed into one movie, it is beyond belief. Mumtaz is gorgeous, Feroz very manly in his hirsute way (and their chemistry sparkles). It’s really more like two films for the price of one. The first half takes place in glamorous Europe and revolves around a jewel theft, with some pretty scary-insane bad guys and some gloriously kitschy sets and costumes.

In the second half our hero and heroine return to India where the hero’s crime-lord brother awaits. Prem Chopra has an opportunity to do more than spit out one-liners through his clenched jaw, with a more nuanced role than he usually gets; and it contains one of the best nightclubs in Hindi cinema (my screencaps are out of control) complete with one of my favorite Helen songs of all time. In fact, all of Kalyanji Anandji’s songs are great. There’s plenty in general to entertain, and it’s clear that producer-director-star Feroz Khan spared no expense or imagination! (Also see Shweta’s review for her take on it—and more screen cap delights!)

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September 1, 2008

Dil Deke Dekho (1959)

I can’t find words to describe this movie. Sublime? Magnificent? Classic, for sure. Fantastic romantic story; excellent debuts by “Filmalaya discoveries” Asha Parekh and music director Usha Khanna; and of course, my favorite actor of all time, Shammi Kapoor. I ask you, how can you not like a film whose credits begin with a little boy in his chaddis and a pair of wings and gladiator sandals taking aim at your heart? It’s also directed and written by Nasir Husain, who gave Shammi his first big hit with Tumsa Nahin Dekha. I’ve said it before: Nasir Husain=great entertainment.

It was such fun to watch it again! Not to mention that I ended up on the floor as a Shammi-induced puddle.

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