Posts tagged ‘Ram Mohan’

March 26, 2012

Angoor (1982)

Mrs. Beige has been staying with me for a few days and bless her, she always enjoys watching a Hindi movie. (Well, not always.) We watched Seeta Aur Geeta the other night and at the end she pronounced it “Shakespearean” which I realized was bilkul correct. That made me think of this film, a marvellous adaptation by Gulzar of the Bard’s “Comedy of Errors” which I’ve owned for a long time but never watched all the way through. It, too, features twins who are mistaken for each other (in this case two sets of them) with hilarious consequences. The performances are deftly handled, and the script witty and well-paced (I could have done without most of the songs though).

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January 8, 2012

Doodh Ka Karz (1990)

Thwarted in my previous snake-movie viewing attempt by Sky Entertainment’s poor quality control, I moved on to this long-overdue-for-watching one and was much happier in any case. Not only is heroine Neelam not smacked in the face every other minute (although her father does want to kill her at one point, but he is Amrish Puri so it’s to be expected); but there are a lot more snakes and Aruna Irani (or her representative) lactates onscreen. She also (a la Smita Patil┬ábefore her) sets out to pump her newborn son full of hatred, albeit somewhat less successfully, possibly because Jackie Shroff doesn’t have to also learn disco. Or maybe because Jackie has more snake backup than Mithun so doesn’t need to be as angry. I don’t know. I just know that I would much rather watch snakes massing in military formation and launching themselves like missiles than watch men pounding each other to a bloody pulp (although there is some of that too).

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July 25, 2011

Patthar Aur Payal (1974)

Here we have another formulaic daku-drama, by which I mean I loved it. So many throbbing neck veins (Dharmendra, Vinod Khanna, Ajit)! So many ferocious eyeball-to-eyeball staredowns! So many lines spat out through clenched jaws—and Prem Chopra nowhere in sight! So many manly men named Singh!

It is chock-full of Man Candy; pretty, pretty horses; the usual assortment of terrible wigs that do nobody any favors; men in hoop earrings; and that love which passeth all understanding—the unconditional bhai-bhai rishtaa. Hema Malini provides the Woman Candy and is the feisty catalyst for the eventual showdown between brothers and rivals. Plus, wonderful music from Kalyanji Anandji, including some funked-up title music!

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October 8, 2010

Gaddar (1973)

True confession: I really can’t sit still through an entire Hindi movie without getting up to fidget. I wake up Gemma and irritate pet her, check my email, pour another glass of wine. The films are just so long and my attention span so short. But during this one I didn’t want to MOVE—I was positively riveted to my chair. There is no romance, no hero-heroine (and only three songs, each one a gem): it is an ensemble film, and what an ensemble it is! The finest character-actor-villains of the time play cohorts in crime who are joined by thief Vinod Khanna when one of them betrays the others. It is stylish and suspenseful entertainment at its best.

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January 15, 2010

Mere Huzoor (1968)

The Raaj Kumar love continues here with this lovely Muslim social drama about marriage and gender relations. A big thank-you to my friend Raja and his friend Bharat for getting the dvd all the way from India to my doorstep! Films about women’s status in society and the choices they are given (or not) often disturb me or just plain make me angry. This one disappointed me—it came this close to being a true winner, and then failed—but was better than most from this era all the same (I’ll talk more about it with spoilers at the end).

Mere Huzoor is justly famed for its songs by Shankar Jaikishan, and happily were also subtitled as the lyrics (Hasrat Jaipuri) are lovely too. A big reason I love Muslim socials are the sets and costumes, and they don’t let me down here either! Mala is pretty good until she lets it all hang out at the end (which is highly entertaining all the same), Jeetendra is handsome although bland; it is Raaj Kumar who makes this worth watching though. He is wonderful as the misunderstood and melancholic Nawab who lives life on his own terms. He is such a strangely attractive man, odd wig and all!

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