Posts tagged ‘Zeb Rehman’

January 26, 2011

Kashmakash (1973)

I got this film for three main reasons: Feroz Khan, Ranjeet and the title. Kashmakash. What a word! It just rolls off the tongue, na? I am informed by my friend Raja—who also subtitled it for me, more on that later—that it means troubles or problems. The people in this have plenty of them, not the least of which is putting up with IS Johar’s endless┬ápompous and pointless pontificating (a problem for us too).┬áMitigating that, though, are the aforementioned Feroz and Ranjeet; cracktastic Seventies costuming and set decorations; a young plump Rekha (the best kind), a less insufferable than usual Shatrughan Sinha, and Memsaab favorite Rehman; very cool music by Kalyanji Anandji including a fab dance by Padma Khanna; plus an engaging murder mystery.

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April 1, 2010

Ankhen (1968)

First, let me give you a brief history of the Memsaab’s relationship with this movie: “Ooh! Piece of candy! Ooh! Piece of candy! Ooh! Piece of candy!” I own about five copies of it—it has always struck me as a movie I really HAVE to see, but somehow I always manage to forget that I already have it, and I’ve seen it too. I start watching my new copy, and I’m all like: “Oh, this film again.” And I shelve it right next to all my other Ankhen dvds. This is my typically verbose way of saying that it is neither a cracktastically great film nor a terrible film, but one that seems like it ought to be one or the other. Instead it is a competently made spy film with fantastic songs (Ravi) and some eye-popping fashions but little else apparently for my memory cells at least to latch onto.

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January 15, 2010

Mere Huzoor (1968)

The Raaj Kumar love continues here with this lovely Muslim social drama about marriage and gender relations. A big thank-you to my friend Raja and his friend Bharat for getting the dvd all the way from India to my doorstep! Films about women’s status in society and the choices they are given (or not) often disturb me or just plain make me angry. This one disappointed me—it came this close to being a true winner, and then failed—but was better than most from this era all the same (I’ll talk more about it with spoilers at the end).

Mere Huzoor is justly famed for its songs by Shankar Jaikishan, and happily were also subtitled as the lyrics (Hasrat Jaipuri) are lovely too. A big reason I love Muslim socials are the sets and costumes, and they don’t let me down here either! Mala is pretty good until she lets it all hang out at the end (which is highly entertaining all the same), Jeetendra is handsome although bland; it is Raaj Kumar who makes this worth watching though. He is wonderful as the misunderstood and melancholic Nawab who lives life on his own terms. He is such a strangely attractive man, odd wig and all!

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December 31, 2007

Sanjh Aur Savera (1964)

A weepy melodrama starring Meena Kumari at her sacrificial-lamb finest, somehow made bearable by the presence of Guru Dutt and director Hrishikesh Mukherjee’s light touch with what could be (okay, IS) very heavy going.

Here’s our first look at Gauri (Meena Kumari), accompanied by the plaintive wailing of violins:

sas_meenaweeping.jpg

I steel myself for a soap opera where duty, honor and tradition mean that everybody suffers, especially Gauri.

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