Archive for ‘Hindi movies’

August 24, 2008

Chashme Buddoor (1981)

This movie made me laugh so hard that I literally cried, and had to pause it so as not to miss anything. Apart from the two Munnabhai films, it’s the funniest (intentionally) Hindi movie I’ve ever seen (and I’ve seen plenty). Comedy is the hardest genre to translate across cultures, but this one does it in spades. I would say in fact that it’s got to be one of the funniest films ever made anywhere, period, and is as close to perfect as anything gets.

The tongue-in-cheek celebration of filmi conventions, romance, student life, and friendship is hilarious; and the characters are portrayed so perfectly sweetly and heartwarmingly that you can’t help but love them, even when they do bad things. The cast is superb: Farooq Sheikh and Deepti Naval (whom I enjoyed immensely in Kissise Na Kehna and Katha) get incomparable support from Saeed Jaffrey, Ravi Baswani and Rakesh Bedi. I run short of superlatives!

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August 23, 2008

More vintage photos

These are from the 1973 Star & Style Annual.

Hema is on the cover.

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August 22, 2008

Aladdin and the Wonderful Lamp (1952)

Oh such excitement to get my hands on a Wadia Brothers production! Made by Fearless Nadia‘s director (and later husband) Homi Wadia, this film did not disappoint. Special effects courtesy of the master Babubhai Mistry, and a young, really gorgeous Meena Kumari paired with actor Mahipal are hugely entertaining. SN Tripathi and Chitragupta provided the very melodic songs, and it’s an old-tyme treat from start to finish. Although made in 1952, it plays like a film from the thirties which really just adds to the charm.

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August 21, 2008

Vintage saree ad

The ads in vintage filmi magazines are so much fun.

Soul-stirring polyester, indeed!

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August 20, 2008

Daag: A Poem of Love (1973)

This may be the most aptly named film in the history of cinema. It’s an all-out early Yash Chopra romance: boy and girl fall in love, marry despite opposition, are separated tragically, then reunited—but with big obstacles to their happiness. Particularly satisfying are Rajesh Khanna and Sharmila Tagore as said boy and girl. Their performances are enhanced by setting (snowy Himachal Pradesh) and beautiful songs courtesy of Laxmikant Pyarelal with stunning lyrics from the great Sahir Ludhianvi. I—shameless romantic that I am—loved every heartwrenchingly glorious minute of it.

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August 19, 2008

Vintage magazine photos

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August 18, 2008

Aap Ki Kasam (1974)

I’m going back to rewatch some of the first Rajesh Khanna films I ever got. He is one of the first actors from the older generation that I became interested in, after I saw him in the inimitable Disco Dancer and thought him very charming (especially in contrast to the dreadful Sam and Mr. Oberoi and unbearable Mama’s boy Jimmy). He didn’t maintain my interest at the time, possibly because there was so much else to distract me (Shammi! Pran! Helen!), but I’m so glad I’ve rediscovered him.

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August 14, 2008

Makdee (2002)

I’ve said it before, and I’ll say it again now: Vishal Bhardwaj is a genius. I had the great pleasure of watching his first directorial effort with Filmigeek and her hookah (cardamom tobacco!) last evening. Ostensibly a children’s story (although I would hesitate to show it to any kid under six), Makdee is wonderfully original—a spooky folk tale with touches of Shakespeare and the brothers Grimm, beautifully photographed and perfectly paced. The performances—especially Shabana Azmi as the witch, and Shweta Prasad as twins Chunni and Munni—are superb.

Of course Bhardwaj’s background score and songs are pitch perfect too, and he wrote the screenplay (with Abbas Tyrewala). Genius!

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August 12, 2008

Paapi (1977)

Filmi Girl inspired me to check out more of OP Ralhan’s films. I already liked Phool Aur Patthar and loved Talash, which I had seen a long time ago. Based on her review I also got Hulchul—an amazingly fun masala-fest which sadly doesn’t play in my computer so…no post here. I admit I didn’t love Paapi as unreservedly as I did Talash and Hulchul. It either got overly long and complicated or I’ve overdosed on this brand of masala lately. Wait, is that even possible?

I did like it though. OP really knows how to tug at your heartstrings, and I love having mine tugged. He also has a great visual aesthetic, hampered though he was by working in the seventies. (I kid! I love the seventies!) Zeenat is gorgeous, with a short crop of hair (but plenty of wigs) and Sanjeev Kumar is his usual sterling self. I always love Sunil Dutt, although he does chew up the scenery, sports a Prince Valiant haircut, and his wardrobe is a blinding eyesore. Add in more OP Ralhan ingredients: strong feminist characters, the debate over punishment vs. compassion in dealing with crime, character actors Tun Tun and Moolchand, and there is plenty to enjoy.

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August 10, 2008

Love In Simla (1960)

I was so looking forward to seeing this film. It has a Cinderella-story plot and I am a sucker for romantic fairy tales. It was the director RK Nayyer’s idea that Sadhana get her famous “fringe” cut in this movie, and they also fell in love with each other during filming. Sadhana’s family threated Nayyer with legal action because she was underage, and they went their separate ways until Raj Kapoor reintroduced them and they finally got married. So awww: real life romantic story too!

It’s also my first Shobhana Samarth movie. And the music by Iqbal Qureshi is simply gorgeous. Every song is a gem! Joy Mukherjee debuted in it, and I think it was only Sadhana’s second movie.

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