Also known as Naag Rani, this movie is a perfect example of how the so-called “B movie” genre contains gems (no Naag Mani pun intended, or not much) of movie history which really need to be treated with more respect. I would rather watch this and others of its ilk a hundred times over than watch Sahib Bibi Aur Ghulam or Mother India more than once or twice. Sure, those are great films; but they aren’t exactly uplifting entertainment! Why is such pure uplifting entertainment as this so frowned upon and discarded? Very often the zany trappings overlay genuine emotional content and messages which are far more palatable to me than the stifling conservatism of mainstream Hindi cinema.
Zabak (1961)
There’s nothing finer on a wintry and cheerless day than a Wadia Brothers Arabian Nights tale brought to you in Glorious Gevacolor! I am pretty sure that an early Nadia stunt film would be equally fine, but until they become readily available these are just the ticket. Standard features include feisty beautiful women (and dancing girls) in harem outfits, a swashbuckling hero (and in this one Mahipal is not even girly), kings with evil commanders named Something Beg, scores of caped extras, an intrepid animal companion or two (Zabak‘s is a white horse who doubles as the Comic Side Plot!), lovely songs (by Chitragupta here)—and always, absolutely always, every frame is filled with stuff that I would kill to get my sparkle-loving hands on.
Zabak is no exception to my Wadia Brothers Cardinal Rule (which is that the Wadia Brothers…well, RULE).
Parasmani (1963) Part 2
Our brave sibling trio Paras, Roopa and Tipu have entered the cracktastic lair of Mayanagari, a sorceress who owns the magic stone called Parasmani, which can restore the dead to life. Paras has promised to bring it back to his King so that he can marry the Rajkumari.
Mayanagari is smitten by our handsome hero, but throws him in the dungeon when he insults her. She is really displeased when Roopa shows up looking for him too!
Parasmani (1963) Part 1
Aladdin and the Wonderful Lamp (1952)
Oh such excitement to get my hands on a Wadia Brothers production! Made by Fearless Nadia‘s director (and later husband) Homi Wadia, this film did not disappoint. Special effects courtesy of the master Babubhai Mistry, and a young, really gorgeous Meena Kumari paired with actor Mahipal are hugely entertaining. SN Tripathi and Chitragupta provided the very melodic songs, and it’s an old-tyme treat from start to finish. Although made in 1952, it plays like a film from the thirties which really just adds to the charm.