December 28, 2008
Tomorrow (today already in India) is Rajesh Khanna’s birthday. The PR fiasco that his latest film has become notwithstanding, I think that Rajesh in his prime (i.e. during the 1970s) was more fun to watch enacting songs than most actors. He had a knack for music; he collaborated closely with music directors and with Kishore, who is of course “the voice” of Rajesh, and in almost all his films from that period that I have seen the music is really special.
I haven’t included songs from films I haven’t seen, or songs that have appeared in other lists already (like “Rimjhim Rimjhim Dekho” from Shehzada, which would definitely be here otherwise!). Interestingly (to me anyway!) all the songs that made it here are written by either Laxmikant-Pyarelal, or by RD Burman.
Here are my ten favorite Rajesh Khanna songs—to listen to, to watch, to swoon over (although not all of them are romantic)! And janamdin ki badhai, Rajesh! Thanks for all the hours of viewing pleasure you’ve given me and all your fans!
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Posted in Hindi movies, Memsaab's lists |
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December 27, 2008
Another *Best Present Ever* awaited me on Christmas day: the 1973 Stardust Annual, and a copy of the June 1972 Stardust magazine. I have an awesome brother and sister-in-law: they indulge my obsession even though they privately think I am crazy. (This is actually true of all my friends and family.) Love them!
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Posted in Hindi movies, Vintage Bollywood images |
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December 22, 2008
When I drool over Ranjeet, most people say: “Are you out of your mind?” He is, after all, not a guy you’d take home to mom; but while I never care much for his onscreen deeds, I do love his style—and I think he is really handsome. Although hampered (as all of us were, who were wearing clothes then) by the gaudy fashions of the 70s (and the even more gaudy costumes of masala-heyday Bollywood!), he always manages to loom charismatically large. And what a career! He is in many many many of my favorite films from that era (and beyond), and they are always enhanced by his presence. When I see his name in the credits, I admit it: I let out a fan-girly squeeee.
Sleepy, sleepy bedroom eyes! Black curly hair! I mean, he looks good in pale yellow velour! Accessorized with a black scarf! Not just anybody could pull that off as a bad guy outfit, but Ranjeet does.
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Posted in Hindi film history, Hindi movies |
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December 20, 2008
So much fun and stylish goodness packed into one movie, it is beyond belief. Mumtaz is gorgeous, Feroz very manly in his hirsute way (and their chemistry sparkles). It’s really more like two films for the price of one. The first half takes place in glamorous Europe and revolves around a jewel theft, with some pretty scary-insane bad guys and some gloriously kitschy sets and costumes.
In the second half our hero and heroine return to India where the hero’s crime-lord brother awaits. Prem Chopra has an opportunity to do more than spit out one-liners through his clenched jaw, with a more nuanced role than he usually gets; and it contains one of the best nightclubs in Hindi cinema (my screencaps are out of control) complete with one of my favorite Helen songs of all time. In fact, all of Kalyanji Anandji’s songs are great. There’s plenty in general to entertain, and it’s clear that producer-director-star Feroz Khan spared no expense or imagination! (Also see Shweta’s review for her take on it—and more screen cap delights!)
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Posted in Hindi movies |
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December 18, 2008
After suffering through the last two films, I really needed a dose of Mohammed Hussain, maker of low-low-low-budget zany B-movie fare. Fortunately, I had just the thing on hand: a film starring Feroz Khan, Mumtaz, Helen and Bela Bose, with appearances by Tun Tun and Master Shetty! Music by OP Nayyar, choreographed by my new best friend Herman! A plot about a scientific formula written in code for making something touted as a “peace bomb”! I settle into my chair with a happy sigh.
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Posted in Excellent Use of Helen, Hindi movies |
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December 16, 2008
Sigh. I so wanted to like this film. It’s based on To Sir With Love, which is one of my all-time favorite movies (Lulu! Sidney Poitier! sixties fashions!), and Vinod Khanna stars as an earnest college professor with Tanuja as his love interest. But alas, it threw away all its potential on a bad script: the characters were nothing but caricatures, and all plot opportunities for dramatic buildup and emotional involvement were squandered.
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Posted in Hindi movies |
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December 15, 2008
I watched this film in the hopes of seeing some Dharmendra-Tanuja magic, but sadly Tanuja didn’t have much to do. However, Dharmendra had a double role, so: two of him! Never a bad thing, although it didn’t much help the movie, which was cliched and ham-fisted to begin with and descended into over-acting and melodrama by the end. The basic theme has to do with class division; Dharmendra plays both the legitimate and the illegitimate sons of a Thakur who has an extramarital affair with a tribal girl.
The only difference in appearance between the two sons is somewhat hilariously (but increasingly tiresomely) delineated by their skin color, the legitimate son naturally being fair and his lower caste half-brother dark. For some reason, Dharmendra gets darker and darker as the film goes on too, so that by the end he looks like he has been roasted on a spit.
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Posted in Hindi movies |
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December 14, 2008
The 2001 Hollywood film Ghost World made this song and dance number from Gumnaam famous in the non-Hindi film fan world. Laxmi Chhaya’s verve and enthusiasm coupled with the lively tune and Boy-Wonder-masked backup dancers make for compelling watching. And of course, the singer’s ultra-cool style is the juicy cherry on top of this confection. Much speculation has issued forth as to his identity (is he the eponymous Ted Lyons?).
So today’s trivia question is: who is the manic front man in this wonderful song (the voice of course is Rafi’s)?
You can watch “Jaan Pehchaan Ho” here.
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Posted in Hindi movies, Trivia time |
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December 11, 2008
My latest Manmohan Desai kick (triggered by the insanity of Mard) continues with this film, and it’s oodles of fun too although not nearly as unpredictable. I didn’t even mind the innocent rustic Raj Kapoor-type character, mostly because it was enacted by his son Randhir, who is much more believable in the role (not sure if that’s really a compliment or not, but I mean it as one). Rekha and her sarees and hairdos were spectacular, and Shatrughan Sinha had plenty of style—and youth—on his side as well. Ranjeet and Padma Khanna (and Faryal) also made brief but gorgeous appearances, and the plot contained plenty of separated family members and coincidences.
So: lots of eye candy and a fast-paced action-packed story equals solid Desai-style entertainment, which is only enhanced by RD Burman’s lovely songs! Plus, removable snake tattooes!
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Posted in Hindi movies |
18 Comments »
December 9, 2008
My friend Asli Jat has done it again! He has sent me this episode of a 1987 series aired on Channel 4 in the UK called Movie Mahal (produced and directed by Nasreen Munni Kabir) and what a treat it is! It’s all about the “Miracle Man” Manmohan Desai—one of my favorite filmmakers, as anybody who’s spent any time here probably knows. He is interviewed, as is Amitabh Bachchan, and the interviews are interspersed with song clips from many of his films. I thought I’d put together a post with audio clips and screen shots since people enjoyed that format for the Bombay Superstar documentary so much. Manmohan Desai is a great deal of fun to listen to; he’s as intense and enthusiastic about his work as you could ever hope for! He calls himself a “dream merchant”—and breaks into song every now and again as well.
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Posted in Hindi film history, Hindi movies, Yahoo! Shammi! |
46 Comments »
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