I will never forget my first glimpse of Chandramohan as a bloodthirsty Rajput in Mehboob Khan’s historical Humayun. Those pale and compelling eyes! That determined hunger for vengeance! I was instantly enchanted by his persistent enmity in the face of his foe’s tolerant goodwill. Indeed, Chandramohan dominates my review of that film. His flamboyant appearance and theatrics were unforgettable.
One of the many blessings that Apradh brought to my life was finally putting this man on my radar. I watched him strutting around, barrel-chest thrust forward, acting his heart out, and thought: I must know his name. Not many people can out-chew Prem Chopra when it comes to the scenery, but Shyam Kumar gave his Boss some serious competition. He didn’t move so much as strike aggressive poses, and all of his dialogue was shouted at a point beyond the camera. His facial expressions ran the gamut of smarmy evil from A to B.
I knew I had seen this thespian before!
Tomorrow (today already in India) is Rajesh Khanna’s birthday. The PR fiasco that his latest film has become notwithstanding, I think that Rajesh in his prime (i.e. during the 1970s) was more fun to watch enacting songs than most actors. He had a knack for music; he collaborated closely with music directors and with Kishore, who is of course “the voice” of Rajesh, and in almost all his films from that period that I have seen the music is really special.
I haven’t included songs from films I haven’t seen, or songs that have appeared in other lists already (like “Rimjhim Rimjhim Dekho” from Shehzada, which would definitely be here otherwise!). Interestingly (to me anyway!) all the songs that made it here are written by either Laxmikant-Pyarelal, or by RD Burman.
Here are my ten favorite Rajesh Khanna songs—to listen to, to watch, to swoon over (although not all of them are romantic)! And janamdin ki badhai, Rajesh! Thanks for all the hours of viewing pleasure you’ve given me and all your fans!
MemsaabStory 