As you might know, I love Hindi remakes of old Hollywood films. This is a copy of Here Comes Mr. Jordan (1941) which has also been remade a few times in Hollywood; the version that I’ve seen is Heaven Can Wait (1978) with Warren Beatty. The subject is perfect for a Hindi film, actually; reincarnation is a no-brainer, and since identical people who aren’t related is a common occurrence, our hero gets put into an identical body. So convenient! I would have liked this more had it starred Shammi and Asha (I know: duh) instead of Rajendra Kumar and Saira Banu (who honestly were just fine); but it’s thoroughly entertaining with lovely songs courtesy of Shankar Jaikishan, and a strong supporting cast of character actors and goofy Rajendranath.
Dil Deke Dekho (1959)
I can’t find words to describe this movie. Sublime? Magnificent? Classic, for sure. Fantastic romantic story; excellent debuts by “Filmalaya discoveries” Asha Parekh and music director Usha Khanna; and of course, my favorite actor of all time, Shammi Kapoor. I ask you, how can you not like a film whose credits begin with a little boy in his chaddis and a pair of wings and gladiator sandals taking aim at your heart? It’s also directed and written by Nasir Husain, who gave Shammi his first big hit with Tumsa Nahin Dekha. I’ve said it before: Nasir Husain=great entertainment.
It was such fun to watch it again! Not to mention that I ended up on the floor as a Shammi-induced puddle.
Raja Saab (1969)
Awwwwww. Just…awwwwwww. What a sweet little fairytale of a movie this is, in spite of Shashi’s somewhat unbelievable simpleton act. It’s made by the same team who made Jab Jab Phool Khile: the same (almost) exact cast, director and music director. It shares some plot elements too: rich educated girl meets simple illiterate boy; they fall in love, then separate and finally are reunited against all odds.
But I liked Raja Saab better, mostly because it’s relatively free of the obnoxious misogynism of JJPK, and has some very hilarious sight gags. The Shashi-Rajendranath combo is quite funny too. Or maybe I was in a better mood when I watched it. Who knows?
Ek Shriman Ek Shrimati (1969)
This one is a little late for Bhappi Sonie Month, but better late than never is my middle name. It’s a very silly film, which is then cobbled together with a very melodramatic film, giving us total paisa vasool. If it lacks a certain continuity and flow, and there are gaping plot holes, who cares? Not me!
Tum Haseen Main Jawan (1970)
Bhappi Sonie month continues here on MemsaabStory with Tum Haseen Main Jawan—notable for being Dharmendra and Hema Malini’s first film together. Their romance is reason enough to watch, but there are plenty of other masala ingredients to keep any filmi fan happy too! Lively songs from Shankar Jaikishan; Helen and Pran as husband and wife; Rajendranath and Iftekhar; and not one, but two misplaced kids. Okay, there are some plot holes you could drive a pantechnicon through, but we’ve forgiven others for worse.
Trivia time #21
Janwar (1965)
It’s time for more Shammi, in brilliant Eastman Color! Janwar is one of my favorite Shammi films (okay, I know I always say that), because it’s chock full of crazy outfits and disguises, great repartee between Shammi and his sidekick Rajendranath, and the presence of Prithviraj Kapoor and Rehman as well. It also has a great fast-paced story full of fun, and the songs by Shankar and Jaikishan are brilliant.
Saazish (1975)

Today I am going to stray from my usual format for discussing movies. I can’t offer a synopsis of the story, since it was nonsensical and bewildering and I lost the thread about halfway through. The closest I could come would be to say that it’s “The Love Boat” meets every cheesy spy movie/tv show ever made.
But I present this argument: a coherent plot is not always necessary. Despite the lack of one, this film had entertaining goodies a-plenty.
Milestones
This has been a week of real milestones in the Hindi movie world…
Pran celebrated his 88th birthday in style; Sanjay Dutt got married (also in style); Rajendranath passed away; and yesterday actress Manorama passed away also.
She was in a LOT of movies in her lifetime, the last being Deepa Mehta’s Water (she played Madhumati, the “head” of the widow’s ashram). Probably her best known role was as the wicked aunt in Seeta Aur Geeta.

May she also rest in peace.







