Posts tagged ‘Babita’

February 16, 2011

My filmi family winter holiday

It being that time of year, I am off on a skiing holiday in Switzerland with my best friend Asha P. and my something-or-other-by-marriage Babita. My friend Mike suggests I take along an inexplicably neglected friend of his whom he calls The Bomb, Praveen Choudhary. She has always seemed like good fun to me too, so: the more, the merrier!

All three of these ladies make me envious with their ability to tease up a big bouffant and their cat’s-eye makeup, perfect for setting off a fur collar or parka hood. My plan is to have them teach me these valuable life skills when they are too tired to ski any more. And while they wear themselves out on the slopes, Gemma and I will be making friends with the bartender in the nearest cozy firelit lodge. I don’t ski, myself, but I do love a good ski resort!

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August 22, 2010

Farz (1967)

Had Ravikant (Ravee Kant) Nagaich ever asked me for career advice, I probably would have told him to stick to cinematography—he really does excel in that department. But as a director, he has an uncanny ability to take ingredients like this:

and make them into films which lull you into an uncomfortably bored stupor: uncomfortable because you are really justifiably afraid that if you fall asleep you will miss something truly wondrous. When I see his name in the credits, I am happy and sad. I adore Mr. Nagaich, truly, but he SO disappoints me. It’s confusing, almost as bewildering as his ability to convince audiences that his actors are dancing.

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June 6, 2010

Pehchan (1970)

This entire review is nothing but a giant spoiler, because the ending especially is So Many Kinds of Wrong that I cannot do anything but tell you all about it. My sister pointed out that if Rush Limbaugh and his ilk were to make a film this might very well be it, a sentiment I fully agree with. It spouts the same judgmental and self-righteous crap that those people do and is just as egregiously dumb, although clearly many people don’t find it as obviously stupid as I do. It’s a typical Manoj Kumar venture: everything modern (or progressive) is evil and can only be redeemed through the influence of traditional (and repressive) values and mores. It sums up exactly why I hate his “Mr. Bharat” persona.

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July 12, 2009

Tumse Achha Kaun Hai (1969)

tumseachha

At a run time of almost three hours, this film is about two hours too long. This can be blamed on two things: Mehmood, and the fact that it’s crammed with every melodramatic cliche in Hindi film history. In point of fact, Mehmood should be credited as the main star of the film, with Shammi as his co-star and sidekick. Not only is entirely too much time spent on the irritating—and predictable—CSP (Shubha Khote as Mehmood’s love interest, with of course Dhumal as her father and the rather startling spectacle of Leela Mishra in a brown wig as her mother), but he figures in the main plot far more than Shammi does too. His character reminds me of the animals in Manmohan Desai films; he is smarter than all the humans combined, and loyal and true to a fault—and he is everywhere.¬†Additionally, we are treated to all these various plot points: communal harmony, the bhai-bahen rishtaa, the rape-suicide trope, blindness, bad¬†western-influenced girls turned into good sari-clad ones, bromantic pyare-dost, the saving of an atheist’s soul, and much, much more!

Why would anyone sit through this even once, you ask—let alone several times? Shammi, my friends, Shammi. Plus the initial sparkle of a rifle-wielding and stylish Babita, the joy of Lalita Pawar as identical twins, and Shankar-Jaikishan’s songs, which are lots of fun.

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March 2, 2009

Dus Lakh (1966)

dus_lakh

I usually approach comedies with some trepidation: humor doesn’t always translate well (literally or figuratively), and slapstick wears me down after a while. However, my Sanjay Khan experience has been sadly lacking and this film also offers up Pran and Helen—and Kashmir!—which I can never resist. And lucky me! Dus Lakh turned out to be a lot of fun. It’s an ensemble film which mostly revolves around Om Prakash, Pran and Manorama; the Sanjay-Babita (in her debut) jodi is almost a side plot. The trio at the center are hilarious, though, and it’s also chock-full of excellent songs by one of my favorites, Ravi. Solid support from Helen, Ramesh Deo (who has way more charisma than Sanjay Khan), Seema Deo and Brahmchari add to the delight.

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October 31, 2008

Kismat (1968)

Here is a 1968 James Bond-meets-Chitty Chitty Bang Bang cheesefest from the Master of Masala himself, Manmohan Desai. While I haven’t seen all his films, I’ve seen most of them, and this is the first one that’s been devoid of any message (well, except: “betraying your country is wrong”). There’s no religious symbolism, or paeans to the poor and downtrodden, not even a single tearful Ma; just a villain named Scorpion, an unwitting hero, his beloved, his friend, his friend’s clever car, and some microdots hidden in a guitar. Sounds good, right? Wrong. Better editing (and possibly a higher kitsch budget) could have made it entertaining; but as it is, it’s an unfocused, meandering, silly film.

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June 8, 2008

Ek Shriman Ek Shrimati (1969)

This one is a little late for Bhappi Sonie Month, but better late than never is my middle name. It’s a very silly film, which is then cobbled together with a very melodramatic film, giving us total paisa vasool. If it lacks a certain continuity and flow, and there are gaping plot holes, who cares? Not me!

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