March 2, 2009
I usually approach comedies with some trepidation: humor doesn’t always translate well (literally or figuratively), and slapstick wears me down after a while. However, my Sanjay Khan experience has been sadly lacking and this film also offers up Pran and Helen—and Kashmir!—which I can never resist. And lucky me! Dus Lakh turned out to be a lot of fun. It’s an ensemble film which mostly revolves around Om Prakash, Pran and Manorama; the Sanjay-Babita (in her debut) jodi is almost a side plot. The trio at the center are hilarious, though, and it’s also chock-full of excellent songs by one of my favorites, Ravi. Solid support from Helen, Ramesh Deo (who has way more charisma than Sanjay Khan), Seema Deo and Brahmchari add to the delight.
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Posted in Excellent Use of Helen, Hindi movies |
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December 2, 2008
I sometimes have very vivid and detailed but thoroughly crazy dreams; I wake up and think: “What on earth?” and worry for a minute that there’s something wrong with me, then go about my day and forget about it. Now I know that Manmohan Desai had those kinds of dreams too, except that in the case of at least one of them, he woke up and thought: “That should be a movie!” And so he made Mard.
It’s a trip through a demented sort of Disneyland, populated with characters from about a hundred different movie genres and policed by animals who are smarter than all the people around them combined. If you surrender yourself to the journey (and the film demands that you do) there’s a kind of lyricism and rhythm about it that’s hypnotic: it’s impossible to look away, but there’s an emotional detachment about it as well. You are just a spectator—so no worries!—but kya baat hai.
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Posted in Hindi movies |
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