March 12, 2008

Today I am going to stray from my usual format for discussing movies. I can’t offer a synopsis of the story, since it was nonsensical and bewildering and I lost the thread about halfway through. The closest I could come would be to say that it’s “The Love Boat” meets every cheesy spy movie/tv show ever made.
But I present this argument: a coherent plot is not always necessary. Despite the lack of one, this film had entertaining goodies a-plenty.
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Posted in Excellent Use of Helen, Hindi movies |
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December 23, 2007

This movie had many things to delight me: my beloved Shammi both acting and directing (his first film as director); a veritable “Who’s Who” compendium of character actors; and a screenplay by Abrar Alvi (who wrote for such classic films as Pyaasa, Kaagaz Ke Phool, Mr & Mrs 55, and Sahib Bibi Aur Ghulam). It is based on (and Shammi has always credited) the Billy Wilder film Irma La Douce. The action all takes place on Manoranjan (Entertainment) Street, whose denizens are mostly pimps and kind-hearted prostitutes.
It’s a very stylish film. I loved the sets and song picturizations (songs by RD Burman)—they seem to show Vijay Anand influences, from Teesri Manzil in particular (especially the songs). The movie is also refreshingly honest about sexuality, although one of its major weaknesses is that it glosses over the pain that prostitution causes to women who are forced into it—the girls in this film seem positively happy to be prostitutes! Shammi did not direct again (only Bundal Baaz two years later), I guess because he was discouraged by the lukewarm response his films received from audiences. Too bad! I would have liked to see more from him.
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Posted in Hindi movies, Yahoo! Shammi! |
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October 30, 2007

I got this only because Vijay Anand directed it, but I confess that I feared it would be disappointing. How could he top Teesri Manzil, Jewel Thief, Chhupa Rustom and Johny Mera Naam?
Well, he didn’t top them, but he didn’t fall short either. Bullet has all the characteristics of his finest work in this genre—suspense, thrills, plot twists, excellent costumes, strange camera angles—strongly flavored by mid-70’s kitsch. And by strongly flavored, I mean reeking of it. The sets are atmospheric and fantastical, colored with acid greens and bright reds and yellows, and lots of graffiti.
Fab!

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Posted in Hindi movies |
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