October 8, 2010
True confession: I really can’t sit still through an entire Hindi movie without getting up to fidget. I wake up Gemma and irritate pet her, check my email, pour another glass of wine. The films are just so long and my attention span so short. But during this one I didn’t want to MOVE—I was positively riveted to my chair. There is no romance, no hero-heroine (and only three songs, each one a gem): it is an ensemble film, and what an ensemble it is! The finest character-actor-villains of the time play cohorts in crime who are joined by thief Vinod Khanna when one of them betrays the others. It is stylish and suspenseful entertainment at its best.
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Posted in Hindi movies |
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July 8, 2010
Apparently this film only released in 1989, but it was made in 1971 and clearly looks it so that’s what I’m going with. It’s a pretty entertaining potboiler, but even if it weren’t there is one compelling reason to see it: a scene with uber-villain Tiwari in a bright pink and white lace negligee admitting that he gets his kicks from cross-dressing. Yes, really. And it has nothing to do with the plot, either. The story itself is in service to a criminal reform message which probably didn’t play as well in the late eighties as it might have in the early seventies. It is weak in places, but there is a plethora of lovely songs (by Ravi, with lyrics by Sahir) and an assortment of fine character actors with lashings of clever humor (no annoying CSP!). Leena Chandavarkar, a feisty heroine I always love, is paired with Sanjay Khan and backed by Pran and Rehman as lifelong foes on either side of the law.
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Posted in Hindi movies |
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January 21, 2010
What’s not to love about a film which opens with animated credits like these? Very little! Especially when the credits probably cost more to produce than the entire rest of the film. This is a full-on Mod Seventies Cheesefest. I love cheese, and I love this film. It is loony entertainment at its best: a comedy-horror-mystery-romance dressed up in bellbottoms and vivid polyester, set to lively pop music by Shankar Jaikishan, and populated by a large cast of character actors, comedians and dancers.
Pran has a double role as a misogynistic ex-Army Colonel and as one of the Colonel’s charges Raghu, a campy effeminate type who nonetheless finds romance with one of the girls (when he isn’t busy combing his long hair). The girls are students of botany professor Laxmi (Sonia Sahni), a man-hating martinet, and her assistant Sister Sophia (Meena Roy). As with most Hindi horror genre films, there is a decidedly Christian bent (handy for grave-robbing situations). It was also filmed on location in a place I have visited, the Periyar Reserve in Thekkady, Kerala—very pretty and fun for me to see again.
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Posted in Hindi movies |
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January 7, 2010
Over the years, without realizing it, I have seen a great many films made by director-producer Brij. Mostly this is due to the fact that he made Excellent Use of Helen in most of them, and as many of you know Helen was one of my first obsessions-within-the-obsession for Hindi cinema. I have even written about six Brij movies on this blog, although my favorite ones (Yakeen and Night In London) haven’t made it yet, and except for Chori Mera Kaam I find that my reviews here have ranged from tepid approval to rather scathing disapproval.
I think at this point I am qualified to say this about Brij: he made films which have super-sweet potential and cracktastic detail (and Helen!) but often become just plain bewildering by the end, when he drives the plot off a cliff to its explosive death, or—to use a phrase coined by Todd and Beth—Death By WTF. It can be really disappointing. So I am very happy to report that he actually held this one together pretty well, and it is highly entertaining—you just have to pay close attention!
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Posted in Excellent Use of Helen, Hindi movies |
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July 3, 2009
How could something that begins with this screen possibly be bad? Dharmendra as James Bond Agent 116! A great many more title screens follow, with more good news: Padma Khanna, a very young Rekha, Prem Chopra in a blond wig and pink rimless glasses—ooh! my man Ranjeet!—Jayshree T, Rajendranath, Agha, KN Singh…the list goes on. I settle happily in my chair, looking forward to some stylish and loony shenanigans. But I’m in for a little surprise.
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Posted in Hindi movies |
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February 25, 2009
We all know about the “Curse of the Second Half” which afflicts many films. I am happy that this one avoids that, but sad to say that it suffers instead from the “Curse of the Last Half Hour Or So” and devolves into melodrama and idiocy not befitting an otherwise really good film.
It is dominated by Nana Palsikar’s fine performance as Bholanath, an elderly man who has never lost his capacity for optimism despite a life of hardship and poverty. He has pinned all his hopes on his son Ram (Rajesh Khanna), whom he has educated against all odds. The conflicted father-son relationship is portrayed poignantly and believably by both actors. Jal Mistry won a Filmfare Award for his gorgeous cinematography (the art director should have too), and RD Burman’s music is a joy.
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Posted in Hindi movies |
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January 21, 2009
Despite a silly plot filled to the brim with irresponsible adults and many creepy (as in “ewwwww” creepy) developments, I could not help but find this entertaining. As noted in my previous trivia post, the film featured all of the best dancers of the era in several very fun songs: Laxmi Chhaya, Padma Khanna, Bindu, Faryal and Jayshree T, along with the inimitable and legendary Helen (who appeared as herself, and was given a well-deserved tribute in the dialogues). Hema Malini and a very young Neetu Singh had dances too, and Madan Mohan’s music along with the plentiful eye candy—both human and inanimate—conspired to prevent me from running away screaming as I should have, in all honesty.
Warning: Post below contains many screen shots of dancing girls, so if they are not your thing you’ll need to use your scroll bar (although I must ask: how could they not be your thing?).
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Posted in Hindi movies |
34 Comments »
January 21, 2009
In what film do Helen, Laxmi Chhaya, Jayshree T, Bindu, Faryal and Padma Khanna all appear as dancing girls (not all in the same song; there are three songs in which they appear)?
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Posted in Hindi movies, Trivia time |
42 Comments »
December 11, 2008
My latest Manmohan Desai kick (triggered by the insanity of Mard) continues with this film, and it’s oodles of fun too although not nearly as unpredictable. I didn’t even mind the innocent rustic Raj Kapoor-type character, mostly because it was enacted by his son Randhir, who is much more believable in the role (not sure if that’s really a compliment or not, but I mean it as one). Rekha and her sarees and hairdos were spectacular, and Shatrughan Sinha had plenty of style—and youth—on his side as well. Ranjeet and Padma Khanna (and Faryal) also made brief but gorgeous appearances, and the plot contained plenty of separated family members and coincidences.
So: lots of eye candy and a fast-paced action-packed story equals solid Desai-style entertainment, which is only enhanced by RD Burman’s lovely songs! Plus, removable snake tattooes!
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Posted in Hindi movies |
18 Comments »
October 21, 2008
There are only two things which give me *good* nostalgia for the 70s: ABBA music and Hindi movies. I spent the latter half of that decade wearing hideously patterned Qiana shirts, sporting feathered hair and fighting the tendency of my stomach to overhang hip-hugger bellbottoms, all the while living in rural Indiana and wishing I were dead, so that is actually saying something.
I suppose if I had cable television and thus access to reruns of the original “Starsky & Hutch” television shows that might do it too, but I don’t. I love Laxmikant Pyarelal’s music in this film, though, especially the opening title and background music (although the songs are fab too). It’s funkadelic 1970s, all the way, and reminds me of the opening themes to those 1970s cop shows.
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Posted in Hindi movies |
64 Comments »
MemsaabStory 