December 31, 2008
Ah, Feroz Khan. As a producer and director, you spare nothing! I watched Dharmatma a long time ago and it was time for a rewatch in the wake of the fantabulous Apradh. I remember that I had liked it, but I was bowled over completely the second time around.
Premnath dominates as the title character: a wealthy and powerful man who believes entirely that the end justifies the means, who has convinced himself that his bad deeds are compensated for by his good ones. Indeed, he is called “Dharmatma” (God Man) by everyone because of those good deeds. Feroz Khan plays his son, a man standing firmly on principles that are completely at odds with his father’s.
Their conflict plays out against a backdrop that includes the gorgeous Afghani landscape, crazy nightclubs (and a dwarf bartender!), opulent mansions, and all the stylish goodness you’d expect from the era (and from Feroz too). The production values are high, the camera work spectacular. Plus: Hema Malini as a gypsy dancer! Danny Denzongpa! Ranjeet and Sudhir in matching outfits! Rekha! Helen! Nadira as a gypsy fortuneteller! Faryal as a sexy nurse! Iftekhar as not a police inspector! And Kalyanji-Anandji’s music doesn’t suck either, especially the background score.
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Posted in Hindi movies |
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December 8, 2008
With a title screen (and title) like this, you’d expect a happy movie, right? Wrong! It’s incredibly sad. I sobbed for a good hour. But it’s also really good. The story takes place against the backdrop of India’s fight for freedom from British rule (although no attempt to recreate the period through costumes or anything has been made), and is a love triangle between two best friends and the girl they both love. What saves it from descending into jingoism and melodrama are the marvelous performances by Shashi Kapoor, Rajesh Khanna, Mumtaz and Vinod Khanna; Raj Khosla’s deft direction; and the lovely songs by Laxmikant Pyarelal with beautiful, meaningful lyrics by Anand Bakshi.
This is a pretty long post, because there’s a lot to say about this film. It isn’t perfect, but does so much just right that the imperfections don’t matter.
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Posted in Hindi movies |
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November 20, 2008
Here’s another favorite! I remember waiting for this to come out on DVD. I’d read how well it was doing in Indian theaters, I loved the story concept, and it paired Sanjay Dutt with his father Sunil Dutt, who hadn’t acted in sixteen years. I got it as soon as it was available, and I was not disappointed. In fact, I was bowled over.
This is the first Hindi film I ever saw where I actually laughed out loud and was laughing with it (I’d seen Disco Dancer and laughed too, but at it). Keep in mind that it was 2003 and I’d been watching Hindi films for less than a year; the ubiquitous Comic Side Plot still mystified me and I often felt that culturally I must be missing something that prevented me from understanding the humor. I was beginning to despair.
But this—this was a laugh-out-loud cross cultural fiesta with a squishy dil™!
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Posted in Hindi movies |
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November 17, 2008
I learned about two important things when I first saw this BR Chopra classic a while ago: Sahir Ludhianvi’s sublime lyrics, and Sunil Dutt’s penchant for making progressive women-centric films. He stars alongside Vyjayanthimala, who has many opportunities to show off her considerable dancing skills. She plays a nautch-girl whom Sunil’s character hires to pose as his fiancee to make his dying mother happy. She won the Filmfare (Best Actress) award for it as well, as did the story writer Mukhram Sharma.
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Posted in Hindi movies |
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October 26, 2008
Oh oh oh I love this movie! Beautiful Rakhee, yummy Rajesh, imperious Veena, nuanced characters, an interesting story, plot twists, humor, lovely RD Burman songs, and plenty of squishy dil™ (ppcc)! The melodrama was saved for the very end, when it was welcome, because by then I cared so much about everybody and everything turning out okay. The film is also beautifully shot—a visual feast, with sumptuous sets and lovely hilly scenery, and interesting camera angles. And beautiful Rakhee and yummy Rajesh!
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Posted in Hindi movies |
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October 18, 2008
This film is truly a Shammi showcase. He spends half of it disguised as an elderly professor, and very convincingly too, I might add. It’s one of his best films from an acting standpoint, and he is quite restrained throughout—although still irrepressibly irresistible and charming. Good performances from everyone else in the cast, lovely hit songs by Shankar Jaikishan and locations in beautiful Darjeeling are the juicy cherries on top of this bit of romantic fluff.
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Posted in Hindi movies, Yahoo! Shammi! |
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September 7, 2008
When people roll their eyes and scoff at “Bollywood” this is the kind of film it’s nice to have on hand to prove all their misconceptions wrong. It is a powerful social drama with great performances from everyone and a tightly written (Gulzar) and directed (Hrishikesh Mukherjee) story. There’s not a minute wasted. It’s sad—and you know I hate sad—but it’s a film I’m glad I’ve seen and would heartily recommend, though my swollen eyes may never recover. Wah!
Rajesh Khanna and Amitabh Bachchan are paired again as best friends after Anand, and are superb. And Om Shivpuri (who is inextricably linked in my brain to evil Mr. Oberoi in Disco Dancer) delivers in a small but pivotal role as an unscrupulous businessman. The core issue—socialism as a cure for the plight of the middle and lower classes (and a responsibility of the wealthy) still seems as relevant today as it was thirty-five years ago.
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Posted in Hindi movies |
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September 1, 2008
I can’t find words to describe this movie. Sublime? Magnificent? Classic, for sure. Fantastic romantic story; excellent debuts by “Filmalaya discoveries” Asha Parekh and music director Usha Khanna; and of course, my favorite actor of all time, Shammi Kapoor. I ask you, how can you not like a film whose credits begin with a little boy in his chaddis and a pair of wings and gladiator sandals taking aim at your heart? It’s also directed and written by Nasir Husain, who gave Shammi his first big hit with Tumsa Nahin Dekha. I’ve said it before: Nasir Husain=great entertainment.
It was such fun to watch it again! Not to mention that I ended up on the floor as a Shammi-induced puddle.
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Posted in Hindi movies, Yahoo! Shammi! |
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August 24, 2008
This movie made me laugh so hard that I literally cried, and had to pause it so as not to miss anything. Apart from the two Munnabhai films, it’s the funniest (intentionally) Hindi movie I’ve ever seen (and I’ve seen plenty). Comedy is the hardest genre to translate across cultures, but this one does it in spades. I would say in fact that it’s got to be one of the funniest films ever made anywhere, period, and is as close to perfect as anything gets.
The tongue-in-cheek celebration of filmi conventions, romance, student life, and friendship is hilarious; and the characters are portrayed so perfectly sweetly and heartwarmingly that you can’t help but love them, even when they do bad things. The cast is superb: Farooq Sheikh and Deepti Naval (whom I enjoyed immensely in Kissise Na Kehna and Katha) get incomparable support from Saeed Jaffrey, Ravi Baswani and Rakesh Bedi. I run short of superlatives!
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Posted in Hindi movies |
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July 20, 2008
Of course she is, and it’s been universally noted that she is especially winsome in this film too! Yes, I have finally seen Jab We Met and like everyone else I enjoyed it very much. I don’t usually review films that have already been reviewed to death, and of course nobody needs a synopsis by now, but I feel compelled to share the things that really caught my eye. Although possibly it will only illustrate how easily distracted I am from the actual important stuff, like plot and theme.
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Posted in Hindi movies |
29 Comments »
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