Archive for ‘Yahoo! Shammi!’

February 15, 2010

My filmi family portrait

I’ve said on these pages many times that actors in Hindi cinema become like family after you watch enough films over the years. The same faces, essentially playing the same roles…eventually you wake up one day and realize that they are as familiar to you as the people you grew up with (well, many of you DID grow up with them, you lucky souls!).

Anyway, I got to thinking the other day about what a Memsaab family photo might look like. Who would be in it, who would be cropped out. Of course, I would be at the center of it: me and my beloved Shammi, and little Gemma too—probably trying to lick Shammi’s hand. Sisters Laxmi Chhaya, Kumari Naaz, Bela Bose, and didi Helen would flank us, completely overdressed for the occasion. Moody and unstable brother Shyam Kumar would be off to the side, so that we could easily trim him out should he really go over the edge one day. Naughty-boy neighbors Ranjeet and Feroz Khan would lurk nearby, waiting for Shammi to turn his back so they could wink at me and maybe cop a feel. Faithful family retainer Nazir Kashmiri would water flowers with the “help” of dog Moti; but horses Raja and Badal would be absent, off grazing in the meadow and keeping an eye out for that rascal dacoit Vinod Khanna, who is constantly trying to kidnap me. Which is why Shammi hired Dharmendra as my bodyguard (he’s trusting, is my Shammi).

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December 23, 2009

Teesri Manzil (1966)

This is one of my favorite films: I love it unconditionally and without reservation and, needless to say, without a shred of objectivity. I will never forget the joy with which I first watched it, a joy that has never diminished, and the love it gave me for Shammi (also undiminished). Shammi Shammi Shammi! I had seen him in a few other films and liked him okay; but this—this sent me tumbling head over heels, never to recover. His charm and chemistry with Asha Parekh stunned me (and so did she). This is also the first Vijay Anand film I saw, and of course I’ve gone on to love a lot more of his work, too. And can I say any more at this point about my Helen worship? I think not.

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December 16, 2009

Professor Pyarelal (1981)

Image and song courtesy of Third Floor Music.

So. For days now I’ve been prancing around singing “Prooooooo-feeeeeeeee-ssor PYARE-lal!” I can’t stop, and it’s seriously beginning to make me want to kill myself. Perhaps I can purge myself of it if I write the film up and share a shortened version of the title song here to move the voodoo along. Sorry—but it’s a last-ditch effort for some peace! Hoo Haa!

On this film’s plus side are that it is an homage to (some might say stolen from) Masalameister Manmohan Desai, and it contains my Beloved Shammi with the Always Utterly Fabulous Nadira by his side, villains Amjad Khan and Jeevan, flanked by an assortment of sideys like Sudhir, Yusuf Khan and Narendranath, Dharmendra (he may be older, but he is in FINE shape), Simi, whom I inexplicably love, and the catchy (sometimes too catchy, see above) tunes by Kalyanji Anandji.

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December 3, 2009

Bluff Master (1963)

For all the Manmohan Desai and Shammi films I’ve written up, it’s kind of criminal that I’m only now getting to one of their collaborations. Better late than never, right? And this is a much better film than their second venture together, Budtameez (1966). In fact, this is a film to which Shammi brought his acting “A” game. He is just great in it, giving a realistic and three-dimensional portrayal of a slick and charming con man who has some hard lessons to learn. Saira Banu is his love interest, and although she’s not my favorite, she is lovely to look at here and, as with Junglee, a good foil for Shammi. Mr Desai himself shows little sign of the unrestrained lunacy he was to bring to cinema in the 70s, and has directed a movie with brisk pacing, interesting characters and an entertaining—if predictable—story. The songs, by Kalyanji Anandji with the able assistance of Laxmikant Pyarelal, are just fabulous too.

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October 13, 2009

My favorite 60’s “western” songs

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Lately I’ve had my iPod repeating a playlist that I put together of songs from 1960s films that are just bubbling over with western charm: guitars, trumpets, double basses, and the odd ukelele or two are used in what still remain quintessentially Hindi film songs. These are songs that have gotten stuck in my head time after time: I quite simply love them! It’s hard to pin down what makes them a collection, but picture doing the twist on a picnic with chums, or curled up with a martini on pleather space-age furniture in Daddy’s mansion. If I had to categorize them, I would probably settle on “Bollywood Lounge” although I’m not sure that quite covers it.

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October 11, 2009

Char Dil Char Rahen (1959)

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A new “old” Shammi film release with subtitles always gives rise to many huzzahs in this household. And when it’s a good film—well, my glee is almost uncontainable. There is nothing unique in the theme of this one (it’s a standard 1950s plea for a socialist Indian society: sharing and equality good, capitalism and greed bad), but the story is given an interesting treatment in its three separate stories which overlap, fittingly enough, at a crossroad. Each story is like the leg of a relay race, with the protagonist of one passing the baton to the next in a brief meeting at that crossing, until finally at the end all three converge. And what a cast: Raj Kapoor, Meena Kumari, Ajit, Nimmi, Kumkum and *ahem* Shammi!

My main problem with the movie is the choppy, facile ending. I am not sure if the original screenplay was written badly or if it is the result of poor editing, or deteriorating film stock, or what (possibly a combination of all of those things); but it’s jarring and more than a bit disappointing in the payoff. Of course, the payoff wouldn’t matter had the stories and characters leading up to it not been so engaging, and there’s the rub. It’s a good ride, until we get thrown off at the end!

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July 16, 2009

Daku (1955)

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I am sure no regular reader of these pages will have any trouble imagining my great joy at receiving this treasure from my new friend Shalini.

Shammi + Wadia Brothers + Babubhai Mistry—it’s like a miracle!

*dies and goes straight to heaven*

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Add in Shashikala as Shammi’s heroine, and the redoubtable Kuldip Kaur (dictionaries should all have her picture next to the word “haughty”), plus a hunchback, a band of gypsies, and royal intrigue!…words fail me. Really. And it doesn’t matter, because I couldn’t tell you honestly what the plot is, only that I love this film. LOVE. Of all the early Shammi films I’ve seen, this is the first one in which he actually pretty much resembles the Shammi of his heyday. He looks like he’s having a ball—and why not? It’s oodles of swashbuckling fun.

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July 12, 2009

Tumse Achha Kaun Hai (1969)

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At a run time of almost three hours, this film is about two hours too long. This can be blamed on two things: Mehmood, and the fact that it’s crammed with every melodramatic cliche in Hindi film history. In point of fact, Mehmood should be credited as the main star of the film, with Shammi as his co-star and sidekick. Not only is entirely too much time spent on the irritating—and predictable—CSP (Shubha Khote as Mehmood’s love interest, with of course Dhumal as her father and the rather startling spectacle of Leela Mishra in a brown wig as her mother), but he figures in the main plot far more than Shammi does too. His character reminds me of the animals in Manmohan Desai films; he is smarter than all the humans combined, and loyal and true to a fault—and he is everywhere. Additionally, we are treated to all these various plot points: communal harmony, the bhai-bahen rishtaa, the rape-suicide trope, blindness, bad western-influenced girls turned into good sari-clad ones, bromantic pyare-dost, the saving of an atheist’s soul, and much, much more!

Why would anyone sit through this even once, you ask—let alone several times? Shammi, my friends, Shammi. Plus the initial sparkle of a rifle-wielding and stylish Babita, the joy of Lalita Pawar as identical twins, and Shankar-Jaikishan’s songs, which are lots of fun.

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June 17, 2009

I *need* to see this!

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There are so many Shammi films out there still not available on DVD (or even VCD!) that it verges on CRIMINAL.

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April 26, 2009

Ijaazat (1987)

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I should start out by saying that while I am far from perfect, and do not require anybody else in my life to be perfect either, there are certain types of people that I just try to keep at a distance. These are:

  • The Drama Queen: not happy unless she is the center of attention, and willing to do whatever messed-up, selfish, childish thing it takes to stay there. A perfect narcissist!
  • The Jackass: never thinks much about the repercussions his thoughtless and (usually stupid) actions and decisions (or lack thereof) may bring until it’s far too late. A total idiot, and a coward too!
  • The Martyr: often weepy, and always long-suffering, this person refuses to do anything to help herself and also enables people around her to do all the wrong things as well. Self-sacrifice is so overrated!

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