Posts tagged ‘Nirupa Roy’

August 2, 2010

Tarun Bose (Part 3): The soft-hearted villain

Here, daughter Shilpi reveals the real man behind the villains Tarun Bose played so convincingly!

The soft-hearted villain: that is what I call dad, soft-hearted being the literal translation of the Hindi ‘Naram Dil’.

He was a very affectionate man; he bestowed fatherly affection on everybody without discrimination. I once asked him, “What kind of role do you like playing the most?” “The villain; a villain’s role provides you with a greater scope to perform”, he said. But given his nature, it was not surprising that although he loved playing the villain, he hated roughing up his female co-stars or any of the child actors.

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December 16, 2009

Professor Pyarelal (1981)

Image and song courtesy of Third Floor Music.

So. For days now I’ve been prancing around singing “Prooooooo-feeeeeeeee-ssor PYARE-lal!” I can’t stop, and it’s seriously beginning to make me want to kill myself. Perhaps I can purge myself of it if I write the film up and share a shortened version of the title song here to move the voodoo along. Sorry—but it’s a last-ditch effort for some peace! Hoo Haa!

On this film’s plus side are that it is an homage to (some might say stolen from) Masalameister Manmohan Desai, and it contains my Beloved Shammi with the Always Utterly Fabulous Nadira by his side, villains Amjad Khan and Jeevan, flanked by an assortment of sideys like Sudhir, Yusuf Khan and Narendranath, Dharmendra (he may be older, but he is in FINE shape), Simi, whom I inexplicably love, and the catchy (sometimes too catchy, see above) tunes by Kalyanji Anandji.

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August 29, 2009

Deewaar (1975)

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I watched a lot of films early on because they were on lists of Hindi film “classics” that one should watch. Some I remember well, some I do not. This is one that I didn’t think I remembered, until I began to watch it again and realized: “Oh this is where I saw that!” Turns out that a lot of my memories from “some movie” are all from this one. I’m hoping that the memories got fragmented because Hindi cinema was all so new to me back then—I was absorbing so many things, many of which I can take for granted now so they don’t distract me. Otherwise, I need to worry about my brain, because this is a great movie. The script and the performances are pure gold. If I had to put it simply I’d say it’s a story about choices, and the things that influence those choices and shape a human being, and it is done with such finesse that I am left speechless (okay, not really; this is a long post, even for me). It is a brilliantly crafted psychological portrait of the damaged Vijay in particular, supported by simply stunning performances from Amitabh Bachchan and Alankar Joshi, who plays Vijay as a boy. There is nothing wasted—not a word, not a look, not a nuance, not a scene.

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August 16, 2009

Neend Hamari Khwab Tumhare (1966)

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This is an absolutely charming, quintessentially 1960s film with a cast of stalwarts and the ever-charming and delicious Shashi at his “aw-shucks” best. The story centers around two Muslim families, which makes for lovely fashions for Nirupa Roy and Manorama who play the matriarchs of each. Nanda is styling, too! The only (minor) disappointment for me was the music by Madan Mohan; it was nice enough—and picturized well—but didn’t make much of an impression. What makes the movie memorable though is the strong ensemble cast, who all contribute humor, believability and warmth to a plot which moves briskly along.

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June 24, 2009

A cruel man, but fair!

More Filmindia stills with captions courtesy the barbed tongue of Baburao Patel:

padmini

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May 11, 2009

Gangaa Jamuna Saraswathi (1988)

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I sometimes think of Manmohan Desai’s films as being like a rodeo saddle bronc ride: as they erupt from the gate, the rider (i.e. director) is in control of the horse (i.e. story), and excitement builds until the rider is either tossed off or jumps off after his 8 seconds are up. Either way it ends with an out-of-control animal loose in the arena and the cowboy sprawled in the dust. In Gangaa Jamuna Saraswathi the rider is tossed off about halfway through his 8 seconds. Up to that point, the movie entertains with its twists and turns and stunning visuals; but the second half goes haywire until it tires itself out and limps to its conclusion. Too bad! because it had real potential.

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March 7, 2009

Jawan Mohabbat (1971)

jm_dvdWhenever a “new” old Shammi film finally appears (with subtitles) on DVD there is much joy and celebration in the Memsaab household, tail-wagging (Gemma) and jumping up and down (me) and so on. If Asha Parekh is his co-star along with Pran, the celebration is even more prolonged. Sadly, there is no Helen; and despite her looming presence on the DVD cover (and in the cast list) no Mumtaz either, but these are minor issues in the face of heretofore unseen Shammi. Shammi, Shammi, Shammi!

And happily, the first half of this film is quintessential early sixties Shammi-style frothy fun, as he bombards a reluctant and feisty Asha with his mischievous charm and romantic songs. But then everything turns suddenly dark, with death and blackmail looming large, and levels of gloom, self-pity and self-sacrifice rarely seen even by the most devoted Hindi cinema fan (me again). If you don’t mind a little movie multiple personality disorder, then you can probably tolerate it. If you prefer a logical narrative without completely over-the-top dramatics…then you probably aren’t reading this anyway.

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December 2, 2008

Mard (1985)

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I sometimes have very vivid and detailed but thoroughly crazy dreams; I wake up and think: “What on earth?” and worry for a minute that there’s something wrong with me, then go about my day and forget about it. Now I know that Manmohan Desai had those kinds of dreams too, except that in the case of at least one of them, he woke up and thought: “That should be a movie!” And so he made Mard.

It’s a trip through a demented sort of Disneyland, populated with characters from about a hundred different movie genres and policed by animals who are smarter than all the people around them combined. If you surrender yourself to the journey (and the film demands that you do) there’s a kind of lyricism and rhythm about it that’s hypnotic: it’s impossible to look away, but there’s an emotional detachment about it as well. You are just a spectator—so no worries!—but kya baat hai.

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November 12, 2008

Kuchhe Dhaage (1973)

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Feeling thwarted by my truncated Phaansi experience, I embarked on another dacoit saga. These films have the added bonus (for me) of engaging Gemma’s attention too (the horses); she goes absolutely nuts which is entertaining by itself. It also makes her very pleased with herself, and how can that be bad? She’s defending me against those big bad animals!

Plus, this movie is directed by Raj Khosla—one of my favorite directors—and it stars Vinod Khanna and Kabir Bedi as deadly adversaries who find redemption through their love for the same girl (the absolutely stunning Moushumi Chatterjee). One more thing about the horses: Vinod’s is a white one named Dara, and Kabir’s is a black one named Toofan. Heh.

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September 14, 2008

Nadaan (1971)

Sixties charm in a 1971 film! Despite the lack of Shammi (and Pran), this movie embodies just about everything I love about that decade in Hindi cinema. Lovely melodic songs, gorgeous scenery, a plot that stays on course and moves along briskly, Helen in a small part, and a feisty heroine (Asha Parekh, in one of my favorite roles of hers): ah, bliss! The best rainy day watching you can find. Navin Nischol stars alongside Asha, and though he doesn’t set the screen on fire, he is perfect here: an attractive, comfortably solid, gentle-humored guy with a good heart. Comic actor Deven Verma debuted very competently as a director with this movie.

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