Or: The Effects of Alcohol Part II
and his home, to a nautch-girl.
Although this movie was made in 1964, it very well could have been made in 1954 or even 1944 given the quality of its special effects. They are so very special! In addition, the heroine of the film is none other than the ever-fabulous Helen, opposite wrestler Dara Singh. Aaya Toofan was the source for this trivia post, and for my avatar as well. This is not to say that it’s a good film; it most emphatically is not. It’s really bad. Silly story, bad acting, the whole nine yards. But it’s B-movie fun for those who enjoy such things (I do! I do!), and of course there is Helen. And wrestlers. Lots and lots of wrestlers.
I have loved the music from this film for a long time, especially the great song “C.A.T. Mane Billi.” The composer Ravi is one of my favorites anyway, and this is one of his best soundtracks (I also love “Yeh Raatein Yeh Mausam”). The plot skitters along rapidly with some very bizarre twists and turns, a great deal of comic relief—some of it quite politically incorrect, yay!—and moments of genuine suspense, as well. Kishore Kumar is at his loony best and Nutan’s sweet loveliness is the perfect foil. Throw in some great character actors in early roles (Madan Puri! Iftekhar! Tun Tun!) and what a treat it is.
Anita might be a good film. The only thing is: the SUBTITLES! SUCKED!! They came on five-ten seconds after the dialogue or scene had ended; sometimes flashed so briefly that there was no way to read them; and very often there were large gaps where single words would just show up occasionally. Because the story was fairly complex (a murder/suicide/reincarnation/multiple personality/ghost story) I had a headache in no time.
And I became distracted by mostly irrelevant details (as you will see). Luckily there were plenty of irrelevant details to entertain, but still. As I said—I think properly understood, this might be a good film. I wish I knew for sure. The music is certainly delightful!