Posts tagged ‘Shetty’

November 15, 2010

A filmi family sports event

My feisty best friend Asha P. calls to ask me to come cheer on the sports team she captains. Shashi offers to walk over with me and Gemma; since we are always proud to be seen with my stylish and handsome brother-in-law, and it is a beautiful afternoon, we happily set forth. Alas, we arrive at the playing field to discover that the opposing “Heroes”┬áteam is unfortunately anything but: led by their crazy-eyed coach Amrish Puri, they are cheating like mad.

Shetty says nothing, but his shiny bald head and bulging muscles are intimidating. Ajit on the other hand is quite vocal, shouting lunatic threats of world domination and lobbing firecrackers in all directions. The Heroes have in fact scored one goal already, probably by accident.

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September 1, 2010

Tarun Bose (Part 6): Sweet memories

My father began his career in films with Mala Sinha and Abhi Bhattacharya. Abhi Bhattacharya was a very nice man: in fact, a thorough gentleman. He had an interesting trait. He had the ability to fall asleep anytime, almost anywhere and under any circumstances. Once dad observed that Bhattacharya wanted to take a nap but could not find a pillow; finding a brick instead, he just went ahead and laid his head on the brick and instantly fell asleep. Dad shared a warm relationship with him and they acted together in a number of films.

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July 13, 2010

Gunahon Ke Raaste (1970)

A Dara Singh film with subtitles is always reason enough for celebration, even if the film itself is a little less entertaining than it might be. This one resembles in style and substance a bunch of gleeful little boys wreaking havoc on a playground (or at least wanting to wreak havoc while acknowledging their limited budget), which is good enough for me. Besides TWO of Dara, disguise freak and B-movie staple NA Ansari is on board with a host of villainous and comical henchmen and two lovely girls (Sanjana and Renu) to provide relief from the wrestling and fisticuffs.

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January 7, 2010

Ek Se Badhkar Ek (1976)

Over the years, without realizing it, I have seen a great many films made by director-producer Brij. Mostly this is due to the fact that he made Excellent Use of Helen in most of them, and as many of you know Helen was one of my first obsessions-within-the-obsession for Hindi cinema. I have even written about six Brij movies on this blog, although my favorite ones (Yakeen and Night In London) haven’t made it yet, and except for Chori Mera Kaam I find that my reviews here have ranged from tepid approval to rather scathing disapproval.

I think at this point I am qualified to say this about Brij: he made films which have super-sweet potential and cracktastic detail (and Helen!) but often become just plain bewildering by the end, when he drives the plot off a cliff to its explosive death, or—to use a phrase coined by Todd and Beth—Death By WTF. It can be really disappointing. So I am very happy to report that he actually held this one together pretty well, and it is highly entertaining—you just have to pay close attention!

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August 27, 2009

Immaan Dharam (1977)

immaan_dharam

I normally would not bother writing about this film since Beth and the PPCC have already covered it in their usual stellar and thorough fashion. But they mostly liked this, and I hated it. Part of the reason is that it was *almost* good. It should have been, could have been! It had a great cast and good songs! But even the goodness of Shashi+Amitabh is not adequate compensation for being smashed over the head with a sermon that I disagree with, especially when it’s done largely to compensate for the lack of a real script (by Salim-Javed, no less). “Clutch your [Bible, Quran, Gita, other] and trust in your blind faith!” it trumpets. Just the kind of pablum that a world overrun with corruption, greed and poverty needs, right?

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July 22, 2009

Choron Ka Chor (1970)

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Although made in 1970, this film was clearly shot on a shoestring 1950’s budget by one of my favorite┬áB-movie directors, Mohammed Hussain. It features a very carelessly put-together plot in the hands of a very beefy (some more uncharitable than I might call him paunchy) Dara Singh and his pals Bhagwan and Agha, who are actually very funny—yes, the Comic Side Plot entertains! Opposite Dara is the very lovely Shabnam, and they are supported by the goodness that is Madan Puri and Shetty as bad people. The songs by Dattaram are very lovely too. It shares a lot of quirky Hussain characteristics with the fab CID 909, although it’s a bit more muddled and not quite as much fun. It does make an adequate alternative for a rainy day’s watching if you’re in the mood for wacky nicknames and silly disguises and don’t need much of a story.

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May 17, 2009

The Train (1970)

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So stylish! So much of eye candy! One of those rare films to make Excellent Use of Helen (and inspiring me to add a category here), The Train is oodles of filmi noir crime-fighting fun. It also has one of the best RD Burman background scores EVER, with RD himself adding vocals. Just listen to this!

It stars a young, very handsome Rajesh Khanna *sigh* and one of my favorite heroines, Nanda, along with an absolutely hilarious Rajendranath; Madan Puri and Shetty provide the villainy. Despite an extremely silly plot with gaping holes and mind-boggling suspension of disbelief requirements (especially at the end) it is well worth the time spent watching—and I have lots of screen caps to prove it!

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February 15, 2009

International Crook (1974)

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This movie is what happens when a person (producer/director/writer Pachhi) with money to burn sets out to follow his dream—a dream for which he has no aptitude whatsoever. I can’t even say I wasn’t warned. But the temptation of Dharmendra and Feroz Khan circa 1974 in a film by the awesome name of International Crook proved too much for me to resist. Even the presence of Saira Banu dressed up like a dog’s dinner did not deter me. And while I won’t *quite* say that I’m sorry I watched it, I will say that it is a bad film. A very bad film.

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December 20, 2008

Apradh (1972)

apradh

So much fun and stylish goodness packed into one movie, it is beyond belief. Mumtaz is gorgeous, Feroz very manly in his hirsute way (and their chemistry sparkles). It’s really more like two films for the price of one. The first half takes place in glamorous Europe and revolves around a jewel theft, with some pretty scary-insane bad guys and some gloriously kitschy sets and costumes.

In the second half our hero and heroine return to India where the hero’s crime-lord brother awaits. Prem Chopra has an opportunity to do more than spit out one-liners through his clenched jaw, with a more nuanced role than he usually gets; and it contains one of the best nightclubs in Hindi cinema (my screencaps are out of control) complete with one of my favorite Helen songs of all time. In fact, all of Kalyanji Anandji’s songs are great. There’s plenty in general to entertain, and it’s clear that producer-director-star Feroz Khan spared no expense or imagination! (Also see Shweta’s review for her take on it—and more screen cap delights!)

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December 18, 2008

CID 909 (1967)

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After suffering through the last two films, I really needed a dose of Mohammed Hussain, maker of low-low-low-budget zany B-movie fare. Fortunately, I had just the thing on hand: a film starring Feroz Khan, Mumtaz, Helen and Bela Bose, with appearances by Tun Tun and Master Shetty! Music by OP Nayyar, choreographed by my new best friend Herman! A plot about a scientific formula written in code for making something touted as a “peace bomb”! I settle into my chair with a happy sigh.

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