If you are entertained by a crackling great story, brisk direction which keeps things moving along, and a cast of stalwarts who give good performances, you will like this movie. The central theme explores the importance of honor over money—it’s hackneyed, and we are beaten over the head with it, but the plot is engrossing. Love, betrayal, vengeance…be prepared for an emotional rollercoaster ride. Get your hankies out!
This is the movie that propelled me into helpless and undying Shammi infatuation. I did go willingly! It’s a lovely romantic story set largely in the beauty of Kashmir, with songs to match by Shankar Jaikishan (including the completely fabulous Helen number “Suku Suku”). Shammi is so engaging as a stern, unhappy man who is transformed by love. He is very ably supported by Lalita Pawar, Shashikala, Anoop Kumar and others—and Saira Banu in her debut film.
Warning: this is a long post with many screen shots, because I can’t talk enough about this film (and I can’t seem to stop taking Shammi screen caps)!
How do I love Vijay Anand, the director? Let me count the ways: Bullet, Tere Mere Sapne, Johnny Mera Naam, Chhupa Rustam, Nau Do Gyarah, Tere Ghar Ke Samne, Kala Bazaar, Guide, Teesri Manzil, Jewel Thief and above all, this one. They are of different genres, with varying levels of seriousness, but all are fabulous.
Blackmail is one of the first Vijay Anand films I ever watched, and I simply adore it. It may be the most romantic Hindi film ever! and that’s saying something! It also features international villains, a “formoola” that will change the world, blinding fashions, a gorgeous hero and heroine pair, and lovely songs by Kalyanji Anandji. Oh happy, happy!
This film belongs to Neetu Singh: she is the central character in it, and she gives an excellent performance. Yes: it’s a film centered around a female protagonist! A rare treat indeed! Beyond that, it’s an excellent film which highlights social issues (plight of the poor, criminal reforms), has a fab retro vibe, and is just plain entertaining, by turns funny and moving.
I love this movie!
The Bhappi Sonie-Shammi Kapoor pairing gave us Janwar, Preetam, and this film. A fourth one is Jawan Mohabbat, which I sadly haven’t been able to find on DVD yet—but that gives me another reason to live.
Bhappi Sonie seemed able to restrain Mr. Irrepressible more than some, and Shammi’s performance in this heartwarming tale of a penniless bachelor who has opened up his heart and his house to a bunch of (equally irrepressible) homeless orphans won him the Filmfare Award for Best Actor. It also garnered five other Filmfare Awards: Best Film, Lyrics, Story, Music Director, and Playback Singer. Shankar Jaikishan wrote the fantastic songs, and the story neatly combines socially relevant subject matter with comedy, romance and just enough dishum-dishum.
OMG! One of the sweetest films ever. Even without the misleading puppy on the title screen—is he peeing on the striped bellbottoms?—you really don’t need a puppy when Farooq Shaikh and Utpal Dutt are in the movie. Big melting brown eyes everywhere. Not to mention Hrishikesh Mukherjee directing!
Throw in beautiful Deepti Naval and funny Saeed Jaffrey, and a cute story with passable non-disco Bappi Lahiri songs and you’ve got at least as much entertainment as a lap full of puppies—and the same gooey warm fuzzy feeling too.
I have been meaning to write about this—my very most favorite film ever, of any kind—since I started this blog. Alas, procrastination is my middle name!
But finally, here goes. This film was actually made in 2001 or so, but its release was delayed because the producer died or something. It is a remake of the Hollywood film “Housesitter” but it isn’t a scene by scene ripoff. Rather, it has taken the storyline and retold it in an Indian setting with an Indian sensibility, and it’s just perfect. The script and direction (and editing) are tight and the pace perfect; there is nothing extraneous, and every scene adds dimension to the film. The songs by Sajid Wajid are wonderful and fit perfectly into the movie, and all the characters—even the most minor—are portrayed vividly by an exceptional cast which includes the legendary Kamini Kaushal.
It is the star pair, though, whose chemistry sizzles and sparks, and who are so true to life that you can immediately identify with them. Khushi (Rani Mukherjee) is alone in the world, an orphan bluffing her way through life with a lively curiosity and an open heart. Ranvir (Ajay Devgan) is a dreamer and a bit of a loner, whose large, boisterous family doesn’t really understand him, and who has learned to keep his emotions shut up inside.
I was writing the answer to Trivia question #4, and was going on and on, when I realized that the film should just have a post unto itself. Mem Sahib is one of my favorite Shammi Kapoor movies—he gives a remarkably restrained and subtle performance in it, resisting the hamming that he often displayed at the height of his career. He is charming but not overbearing. And though it is early in his career (what he calls his “male starlet” days), he plays a negative character—long before Shah Rukh “broke tradition” by playing negative characters in Baazigar and Darr.
Meena Kumari is scintillating—a far cry from the teary, self-sacrificing woman I’m used to seeing “The Tragedy Queen” play. She is gorgeous and full of life, a real treat to watch. Kishore Kumar plays Sundar, a naive, sheltered and good-hearted man trying to figure out how to exist in a world completely at odds with what he is used to or expected; the film is peppered with the humor that he is so clever at.
I will start off here by saying that I loved this film. As tired as I was last evening (red-eye flight the night before), I could not turn it off. I had to see what would happen next. Vijay Anand’s particular brand of brisk direction combined with a great plot and a myriad of wonderfully etched characters large and small is evident throughout. I have recently seen two of his gems from the same time period: Johny Mera Naam and Chhupa Rustam. This film is more serious than those two; a different genre more in keeping with Guide than with Jewel Thief. I found its messages about medicine and priorities just as relevant as it was 36 years ago. And the many songs by SD Burman are sublime.
Vishal Bhardwaj is a genius. He writes lovely music, compelling screenplays and makes wonderful movies. So I was thrilled to see that a movie he made in 2005 (before Omkara) was finally out on DVD. It is based on a novella by Ruskin Bond, and takes place in a small village in Himachal Pradesh—the scenery is breathtaking and of course the cinematography does it full justice. And the music doesn’t suck either. The film has been billed somewhat as a children’s story but it’s really for anyone who enjoys a good story and a beautiful film.
MemsaabStory 
