We left our heroine Rita dangling over sudsy hot pink lava as a giant ape menaced the rest of her traveling companions.
Shikari (1963) Part 1
Blinding Eastman Color! To my everlasting regret, this film has not made it to DVD with subtitles yet (*now it has!*). But my friend Suhan found it on VCD with no subs and sent it to me; having seen it, I now believe that subtitles are unnecessary, although I would still like to see it nicely digitized and put on DVD (but not by Shemaroo, please). I saw (and understood) enough to tell you that it was cracktastic! And also, chock-full of plot holes and abandoned plot threads, which didn’t matter one bit.
Mostly, the visuals were so entertaining (despite the poor video quality) that I thought I’d put together another comic strip synopsis. The completely loony amalgamation of cultural references more than makes up for any lack of narrative. Plus, the songs by GS Kohli are lovely and include two dances for Helen!
All you really need to know is this: there’s an ice-skating chimp, two crazy scientists, exotic tropical jungles, spear-throwing natives, a volcano, Godzilla, King Kong, a snake pit and more; and a cast which includes Helen, Madan Puri, KN Singh, Tun Tun, Ajit and Ragini.
Heeralal Pannalal (1977)
Five seconds into the film (just after the censor’s certificate) this notice appears:
Hilarious! I absolutely adore the sarcastic, essentially unrepentant tone of it, and apparently it worked just fine for the censors too. This film could be used in a directing class as an example of what can happen when you work “over-enthusiastically” without a script. Halfway through, I had to stop so that I could diagram all the criss-crossing plot threads and character relationships in an effort to keep them straight. It’s not boring! but there is a definite seat-of-the-pants feel to the story, and little things like logic and continuity are thrown right out the window.
Jeevan Mrityu (1970)
If you are entertained by a crackling great story, brisk direction which keeps things moving along, and a cast of stalwarts who give good performances, you will like this movie. The central theme explores the importance of honor over money—it’s hackneyed, and we are beaten over the head with it, but the plot is engrossing. Love, betrayal, vengeance…be prepared for an emotional rollercoaster ride. Get your hankies out!
Chorni (1982)
This film belongs to Neetu Singh: she is the central character in it, and she gives an excellent performance. Yes: it’s a film centered around a female protagonist! A rare treat indeed! Beyond that, it’s an excellent film which highlights social issues (plight of the poor, criminal reforms), has a fab retro vibe, and is just plain entertaining, by turns funny and moving.
I love this movie!
Pratiggya (1975)
A little Dharmendra withdrawal prompted me to watch this film yesterday. It has a massive Sholay hangover, except it’s mostly a comedy: sort of a Keystone Cops meets Sholay and vomits up Pratiggya. Nevertheless, it’s good fun and had me laughing on more than one occasion. Johnny Walker, Jagdeep and Keshto Mukherjee display their comedic skills as cowardly villagers, Dharmendra plays a hard-drinking, illiterate truck-driver-turned-cop, and Hema a sharpshooting, tart-tongued village belle.
Ajit Singh (Dharmendra) is transporting a merchant and his goods to their destination one night, when he learns that his mother is dying. Abandoning his customer at a truck stop, he rushes home, where his mother confesses to him that she is not his real mother.
His real family—father Devendra Singh, mother and two older siblings—were murdered by the dacoit Bharat (Ajit) in revenge for Bharat’s brother’s hanging at the hands of Devendra Singh, who was a Superintendent of Police. Bharat is a fan of Tonto and the Lone Ranger (okay, I made that up).
The maidservant escaped with the baby—Ajit—and brought him up as her own. Ajit promises her that he will return to his home village to seek revenge and she dies.
Unfortunately the man whose goods he has inadvertently run off with has filed a police complaint, and Ajit’s friends arrive to tell him that the police are looking for him. He jumps into his truck and speeds off.
The next morning he is woken up by a two villagers out hunting: a mute accompanied by a pretty girl (Hema Malini).
He asks for directions to Dinapur, the village where Bharat Daku hangs out. The girl immediately assumes that he wants to join the bandits, and gives him a piece of her mind. She refuses to tell him where Dinapur is and they have a little argument before she and the mute drive off in their caravan. As they go through town they see a man distributing wanted posters and recognize a description of Ajit, but keep going.
Luckily after catching a glimpse of himself in the river, Ajit has sought out a barber and gotten a haircut and a shave. He gets directions to Dinapur and sets off. On the way, he comes across a fierce battle as a bunch of dacoits attack a police convoy. When the smoke clears and the bandits have escaped, only the Inspector is left alive, and he is badly wounded.
He has managed to save a truck from being looted; it is filled with machine guns and hand grenades. He tells Ajit that he and his men were on their way to set up a police station in Dinapur so that they could nab Bharat Daku. He gives Ajit responsibility for the weapons and the truck and dies.
In Dinapur we meet the local hooch-seller, a scoundrel named Thekedhar (Johnny Walker), and his assistant Kaana (Jagdeep). Their (unlicensed) liquor den is filled with local men talking about the shoot-out until Thekedhar spots a police truck rolling into town. They scatter.
Ajit has transformed himself!—sort of. To Thekedhar’s relief, he asks for a bottle of booze and proceeds to down it. Ajit asks about Bharat and Thekedhar tells Ajit that he lives in the forest, although his niece Radha lives in the village. She’s beautiful, a bit of a do-gooder and hates her uncle—and hangs around with a mute guy.
Then Ajit tells him that he will put the police station right here next to the liquor store. Horrified at the thought of what that will do to his business, Thekedhar makes a huge mistake.
I just love the rainbow assortment of liquor bottles. Anyway, Ajit overhears him and ties him and Kaana up as an example to the other villagers; then he passes out.
He is awakened the next morning by the same girl—whom he now knows is Radha, Bharat’s niece, and her friend Bhiku the mute. Radha is thrilled to see what he’s done with the unscrupulous Thekedhar.
She tells Ajit that Bhiku’s tongue was cut out by Bharat after he filed a complaint with the police (Bharat and his men had abducted his wife). She acknowledges that Bharat is her uncle, but says that her father had not followed that path; in fact, he was the informant who turned in his brother to Devendra Singh. Ajit asks Bhiku if he will join him and Bhiku happily accepts.
Radha has a visitor when she reaches home: her brother.
He is a member of Bharat’s gang. Radha confirms the Inspector’s presence in the town. Meanwhile, some of the villagers have rescued Thekedhar and Kaana, and Ajit puts them to work setting up the police chowki. Kaana asks Ajit if he can be a policeman too, but the other villagers want nothing to do with it. Especially vocal in his opposition is the town drunk, Chandi (Keshto Mukherjee).
Then the dacoits attack Dinapur to get at Ajit. He (accidentally) successfully fights them off using some of his hand grenades:
I am worried that they are using real people and horses for the action:
It’s a little TOO realistic!
As the bandits flee, the villagers go wild with glee and sign up for the force in droves. An old blind man stumbles forward asking about one of the dead dacoits. He is Shivkaka (Nazir Hussain), who was Devendra Singh’s right-hand man and the only other survivor of that terrible night when Ajit’s family was massacred. When Ajit realizes who Shivkaka is, he reminds us all why he’s there.
One villager remains loyal to Bharat Daku, however. Chandi tells him how all the villagers are joining the Inspector.
Bharat (who hasn’t changed his Tonto look in 25 years) tells him to sign up for the police to act as his spy, and vows to drive the police from Dinapur.
Meanwhile, the real police in a nearby city are wondering why they haven’t heard from their man, and they send a havaldar to enquire. Ajit manages to send him off satisfied, but how long can an illiterate truck driver pretend to be an educated Police Inspector? How can he train his new recruits when he himself has no idea what he’s doing?
Will Chandi’s spying sabotage all their efforts? Will Ajit be arrested for theft? Or will they manage to drive the dacoits away from their village?
Watch Pratiggya to find out. Despite a few lapses into maudlin sentiment and scenery-chewing, it is a good solid comedy and an opportunity to see some legendary comedians of Hindi cinema at work.
Nastik (1954)
Let me begin by saying that I loved this film, although it did lose some momentum and direction towards the end. It is essentially a movie about faith (or the lack thereof: nastik = atheist), and unusually for a Hindi movie (at least in my limited experience), contains a fairly strong condemnation of the hypocrisy in organized religion. Comedian IS Johar both wrote and directed the film, and has a supporting role. A strikingly young and handsome Ajit stars alongside the beautiful Nalini Jaywant—who looks a lot like Nargis, and is absolutely wonderful as Rama, the moral center of the story. The real star of the show, though, is the sublime music by Chitalkar Ramchandra (a severely underrated music director in my opinion) with lyrics by the great lyricist and poet Kavi Pradeep.
Jugnu (1973)
I needed a respite from a spate of bad/mediocre Hindi movies, so I dragged out some favorites to watch again. Jugnu is one of them. Dharmendra and Hema Malini are dreamy together, and Pran takes a break from villainy. It contains 100% of the Recommended Daily Masala Allowance: it’s almost three hours long and jam-packed with excitement and entertainment. It’s also one of my sister’s favorite films, and there’s no higher recommendation than that!
Trivia time #15
These screenshots show an actress and an actor who play husband and wife in this film. Who are they, and what is the name of the film (hint: the actor plays the title character)?
Our winner is Shweta, with a big assist from v9y and Carla. I thought this was a difficult one, but guess I will need to try harder!
The movie is Halaku (1956). Pran plays Halaku, a Mongol conqueror of Iran, who falls in love with Meena Kumari. This doesn’t go down well with his wife (Veena) or Meena’s beloved (Ajit, in one of his early hero roles, before he became a stock villain). The music by Shankar Jaikishan is beautiful, and Helen and Minoo Mumtaz have a dance together too!
Chhupa Rustam (1973)
A visual feast of a movie—another Vijay Anand fun-filled frolic, with beautiful scenery, fabulous fashions and an engaging plot that moves along at a good clip. It has Hema Malini at her gorgeous best, Dev Anand as smooth as ever, and—best of all—Vijay himself in a role he clearly relished. Bad guys Ajit, Prem Chopra and Premnath are as baaaad as only they can be. It’s obvious that a good time was had by all in the making of this film.
It was filmed in Himachal Pradesh, and the landscapes are breathtaking: