April 23, 2012
Oh my.
I love you, Kismet. I can see why, for 32 years until Sholay, you held the record for longest run at the box office. I love your story, I love ten-year-old Mehmood, I love VH Desai (whom Saadat Hasan Manto called “God’s Clown”), I simply adore Ashok Kumar in all his youthful kind-hearted con-man glory. I love your unwed pregnant girl, your runaway son; I even love your songs, which is sometimes hard for me with movies as aged as you are. I can’t wait to see you with subtitles (thanks Raja!) but even without them you are enthralling, you dear old progressive masala template of a film, you.
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Posted in Hindi film history, Hindi movies |
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March 8, 2008
Let me begin by saying that I loved this film, although it did lose some momentum and direction towards the end. It is essentially a movie about faith (or the lack thereof: nastik = atheist), and unusually for a Hindi movie (at least in my limited experience), contains a fairly strong condemnation of the hypocrisy in organized religion. Comedian IS Johar both wrote and directed the film, and has a supporting role. A strikingly young and handsome Ajit stars alongside the beautiful Nalini Jaywant—who looks a lot like Nargis, and is absolutely wonderful as Rama, the moral center of the story. The real star of the show, though, is the sublime music by Chitalkar Ramchandra (a severely underrated music director in my opinion) with lyrics by the great lyricist and poet Kavi Pradeep.
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Posted in Hindi movies |
29 Comments »
MemsaabStory 