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August 19, 2008
Vintage magazine photos
August 18, 2008
Aap Ki Kasam (1974)
I’m going back to rewatch some of the first Rajesh Khanna films I ever got. He is one of the first actors from the older generation that I became interested in, after I saw him in the inimitable Disco Dancer and thought him very charming (especially in contrast to the dreadful Sam and Mr. Oberoi and unbearable Mama’s boy Jimmy). He didn’t maintain my interest at the time, possibly because there was so much else to distract me (Shammi! Pran! Helen!), but I’m so glad I’ve rediscovered him.
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August 14, 2008
Makdee (2002)
I’ve said it before, and I’ll say it again now: Vishal Bhardwaj is a genius. I had the great pleasure of watching his first directorial effort with Filmigeek and her hookah (cardamom tobacco!) last evening. Ostensibly a children’s story (although I would hesitate to show it to any kid under six), Makdee is wonderfully original—a spooky folk tale with touches of Shakespeare and the brothers Grimm, beautifully photographed and perfectly paced. The performances—especially Shabana Azmi as the witch, and Shweta Prasad as twins Chunni and Munni—are superb.
Of course Bhardwaj’s background score and songs are pitch perfect too, and he wrote the screenplay (with Abbas Tyrewala). Genius!
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August 12, 2008
Paapi (1977)
Filmi Girl inspired me to check out more of OP Ralhan’s films. I already liked Phool Aur Patthar and loved Talash, which I had seen a long time ago. Based on her review I also got Hulchul—an amazingly fun masala-fest which sadly doesn’t play in my computer so…no post here. I admit I didn’t love Paapi as unreservedly as I did Talash and Hulchul. It either got overly long and complicated or I’ve overdosed on this brand of masala lately. Wait, is that even possible?
I did like it though. OP really knows how to tug at your heartstrings, and I love having mine tugged. He also has a great visual aesthetic, hampered though he was by working in the seventies. (I kid! I love the seventies!) Zeenat is gorgeous, with a short crop of hair (but plenty of wigs) and Sanjeev Kumar is his usual sterling self. I always love Sunil Dutt, although he does chew up the scenery, sports a Prince Valiant haircut, and his wardrobe is a blinding eyesore. Add in more OP Ralhan ingredients: strong feminist characters, the debate over punishment vs. compassion in dealing with crime, character actors Tun Tun and Moolchand, and there is plenty to enjoy.
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August 10, 2008
Love In Simla (1960)
I was so looking forward to seeing this film. It has a Cinderella-story plot and I am a sucker for romantic fairy tales. It was the director RK Nayyer’s idea that Sadhana get her famous “fringe” cut in this movie, and they also fell in love with each other during filming. Sadhana’s family threated Nayyer with legal action because she was underage, and they went their separate ways until Raj Kapoor reintroduced them and they finally got married. So awww: real life romantic story too!
It’s also my first Shobhana Samarth movie. And the music by Iqbal Qureshi is simply gorgeous. Every song is a gem! Joy Mukherjee debuted in it, and I think it was only Sadhana’s second movie.
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August 10, 2008
More subtitle fun
This gem comes from Love In Simla and is the kind of thing that would happen were I subtitling an English film into Hindi.
August 9, 2008
Maha Chor (1976)
I never did figure out if this was an intentional parody of filmi cliches, or if it was just bad. Maybe it was a badly done parody. In any case—it was bad. The story was ridiculous with gaping plot holes, too many suspension-of-disbelief requirements, and loose ends left hanging all over the place. These things alone are not a dealbreaker; but together *shakes head*…I’m not even going to try and do a synopsis.
However, there were some good things about it. This is one reason why I love Hindi movies. You can almost always find something to appreciate!
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August 6, 2008
Apna Desh (1972)
I am feeling the love for Rajesh Khanna (especially paired with Mumtaz) here these days. Better late than never! Apna Desh is total paisa vasool, as well. It’s two distinctly different but equally good films for the price (and viewing time) of one! The first is a solid social drama about corruption with a bit of romance thrown in; the second a totally crack-tastic masala film complete with disguises, blackface, fabulous outfits and sets, and two of RD Burman’s (and Asha Bhosle’s) most glorious songs.
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August 5, 2008
Dil Diya Dard Liya (1966)
August 4, 2008
Do Raaste (1969)
I love films that give insight into the issues and concerns of the time during which it was made. This is one of them, where a family is ripped apart when its members are caught between old traditions and burgeoning foreign influences.
Although Rajesh Khanna and Mumtaz are nominally the hero and heroine, the film really belongs to the whole ensemble cast. Above all, Balraj Sahni shows why he is considered one of the great actors in Hindi cinema and Veena shines as the family matriarch.
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