Posts tagged ‘Shyam Kumar’

January 6, 2009

Dulari (1949)

dulari_mirror

Most Hindi films from the 1940s are pretty melodramatic. Not only is the acting theatrical and stagey, but the dialogues are overwrought and repetitive (so that you don’t miss the point, I guess) and there are 10-15 songs sprinkled throughout at the rate of one every ten minutes (or so it seems). Characters are self-sacrificing and martyred, or unreasonably demanding; and there’s often some sort of love triangle ending with at least one person’s death (usually Dilip Kumar’s character). All this can make the movie heavy going, but at least the plots tend to be fairly straightforward and easy to follow. And if you know what to expect they always have something fun to offer (like Hindi films in every decade!).

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December 20, 2008

Apradh (1972)

apradh

So much fun and stylish goodness packed into one movie, it is beyond belief. Mumtaz is gorgeous, Feroz very manly in his hirsute way (and their chemistry sparkles). It’s really more like two films for the price of one. The first half takes place in glamorous Europe and revolves around a jewel theft, with some pretty scary-insane bad guys and some gloriously kitschy sets and costumes.

In the second half our hero and heroine return to India where the hero’s crime-lord brother awaits. Prem Chopra has an opportunity to do more than spit out one-liners through his clenched jaw, with a more nuanced role than he usually gets; and it contains one of the best nightclubs in Hindi cinema (my screencaps are out of control) complete with one of my favorite Helen songs of all time. In fact, all of Kalyanji Anandji’s songs are great. There’s plenty in general to entertain, and it’s clear that producer-director-star Feroz Khan spared no expense or imagination! (Also see Shweta’s review for her take on it—and more screen cap delights!)

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November 22, 2008

Shikari (1963) Part 1

shikari

Blinding Eastman Color! To my everlasting regret, this film has not made it to DVD with subtitles yet (*now it has!*). But my friend Suhan found it on VCD with no subs and sent it to me; having seen it, I now believe that subtitles are unnecessary, although I would still like to see it nicely digitized and put on DVD (but not by Shemaroo, please). I saw (and understood) enough to tell you that it was cracktastic! And also, chock-full of plot holes and abandoned plot threads, which didn’t matter one bit.

Mostly, the visuals were so entertaining (despite the poor video quality) that I thought I’d put together another comic strip synopsis. The completely loony amalgamation of cultural references more than makes up for any lack of narrative. Plus, the songs by GS Kohli are lovely and include two dances for Helen!

All you really need to know is this: there’s an ice-skating chimp, two crazy scientists, exotic tropical jungles, spear-throwing natives, a volcano, Godzilla, King Kong, a snake pit and more; and a cast which includes Helen, Madan Puri, KN Singh, Tun Tun, Ajit and Ragini.

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November 8, 2008

Rustom-E-Hind (1965)

rustomehind

I have to admit that I didn’t expect much from this movie, although I wanted to see it for Helen, Laxmi Chhaya and Madhumati dancing, and Mumtaz as the heroine opposite Dara Singh. Also: KN Singh! and lots of men in tights (as per usual for a Dara Singh starrer). However, it turned out to be an excellent fairy tale of a film, with a coherent plot, a truly detestable villain, and even a semi-bearable comic side plot thanks to Mohan Choti and Tun Tun. The dances did not disappoint either; the music by Hansraj Behl is lovely and Laxmi Chhaya’s number in particular is now one of my all-time favorites.

Oodles of fun!

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July 25, 2008

Aaya Toofan (1964)

Although this movie was made in 1964, it very well could have been made in 1954 or even 1944 given the quality of its special effects. They are so very special! In addition, the heroine of the film is none other than the ever-fabulous Helen, opposite wrestler Dara Singh. Aaya Toofan was the source for this trivia post, and for my avatar as well. This is not to say that it’s a good film; it most emphatically is not. It’s really bad. Silly story, bad acting, the whole nine yards. But it’s B-movie fun for those who enjoy such things (I do! I do!), and of course there is Helen. And wrestlers. Lots and lots of wrestlers.

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July 5, 2008

Roti (1974)

Oh my. How do I begin to describe this film? It’s very definitely Manmohan Desai’s work. It has all the usual hallmarks of his stories: poverty, heavy-handed symbolism, religious motifs, good versus evil, sin and redemption. There are parts where ideas are presented so powerfully it takes your breath away. But it’s also filled with the ridiculous: mind-boggling coincidences, over-the-top drama, loony comedy and one plot twist after another.

This film felt larger in scale and ambition to me than any of his others. Fate is a hard task-master here, and Rajesh Khanna gives an excellent performance as its victim, driven by his basic needs but haunted by his wrong-doing.

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