Posts tagged ‘Madan Puri’

August 6, 2010

Haye Mera Dil (1968)

This was an unexpected treat, a breezy comedy starring Kishore Kumar, Kum Kum, IS Johar, Prem Chopra—in a not-villainous role!—and my would-be bahen Laxmi Chhaya. Greedy bad guys, plenty of disguises, goofball antics and a fine sense of the just plain silly are its hallmarks, along with one of my new favorite Laxmi songs. Actually, all the songs by Usha Khanna are fabulous and worth watching. Kum Kum is an excellent dancer too and plays one in this (as well as her long-lost mother) so she has plenty of scope for showing off her talents as well. The storyline is contrived and conveniently glib, but all in all it’s a very fun watch if you feel like shutting off your brain for some simple but satisfying entertainment.

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June 28, 2010

Cracktastic Shikari-now with subtitles!

I feel Tom and his gang of subtitlers should form their own production company and give it a proper name! Any suggestions? In any case, another formerly unsubtitled and painfully unrestored vcd has been subtitled (thanks again Raja!) and given the Tommydan Treatment. I must say that I am blown away with how beautiful this dvd looks compared to the source files. I don’t know how he does it, but I’m glad he does.

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June 23, 2010

Chirag Kahan Roshni Kahan (1959)

I love it when a film exceeds my expectations, not that I really had any for this one. But from the very first scene I was involved in the characters and engrossed in the story. Yes, there is a lot of self-sacrifice—but it’s mostly done by the hero, not the heroine, and it actually benefits people! And it had a message which might have made people think about social norms in a new light! I am totally on board with that.

I also liked the Rajendra Kumar-Meena Kumari pairing, one I haven’t seen before. Plus there’s the criminally underrated Minoo Mumtaz and a bevy of absolutely lovely songs by Ravi, including two of the best children’s songs ever, and a cat birthday song (how could that possibly be bad?). It reminded me a bit of the later Dil Apna Aur Preet Parai, a film I also somewhat unexpectedly liked.

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April 11, 2010

Mirza Sahiban (1957)

If you think your parents could have done better by you, at least be grateful that you aren’t poor Mirza or Sahiba. Sahiba’s family are all nasty pieces of work, with the sole exception of her father who is an ineffectual panty-waist. Her mother is an abusive shrew, and her spoiled and arrogant brothers are murdering bullies. And Mirza’s mother leaves her young son in the “care” of that same family, despite being at the receiving end of their ill-treatment herself and knowing that they dislike Mirza equally. With this sort of beginning, the only hope one can really have is that things will look up eventually…but as we all know, in this sad tale they never do. The only things that kept me going were Beloved Shammi and the really lovely music by Punjabi music director Sardul Kwatra (who also produced it).

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April 1, 2010

Ankhen (1968)

First, let me give you a brief history of the Memsaab’s relationship with this movie: “Ooh! Piece of candy! Ooh! Piece of candy! Ooh! Piece of candy!” I own about five copies of it—it has always struck me as a movie I really HAVE to see, but somehow I always manage to forget that I already have it, and I’ve seen it too. I start watching my new copy, and I’m all like: “Oh, this film again.” And I shelve it right next to all my other Ankhen dvds. This is my typically verbose way of saying that it is neither a cracktastically great film nor a terrible film, but one that seems like it ought to be one or the other. Instead it is a competently made spy film with fantastic songs (Ravi) and some eye-popping fashions but little else apparently for my memory cells at least to latch onto.

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November 22, 2009

Main Wohi Hoon (1966)

A filmi noir murder mystery starring the lovely Kumkum and the even lovelier (to my eyes) Feroz Khan, with fantastic music by Usha Khanna: how could it possibly go wrong? Well, here’s one way: our hero and heroine are squeezed into the plot around IS Johar, who uses the story as an excuse to don various silly (and occasionally racist) costumes and play the fool. Don’t get me wrong, I love the man—but it is kind of a waste of Feroz and Kum Kum. Also, the script is a total mess.

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September 10, 2009

Jeet (1949)

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One of the best things about Hindi movies for me is that they are a window into the growing pains—and hopes and joys—of a brand new nation. (I’m talking mostly about north India only since I don’t watch south Indian movies yet, but still. It’s there, in front of you.) Most cinema is reflective of its origins and time to some extent of course; but the timing of India’s independence, and the fledgling country’s tenacious adherence to specifically Indian traditions and issues, makes Hindi cinema particularly so (this is also true of the pre-independence period, although in a more veiled way). For this reason, I try to slog my way through the 1940s, although I find films from the era sometimes a little too melodramatic and preachy, and a little too song-saturated, to make it easy.

But I really enjoyed this one! It’s feminist! Chock-full of woman power, seriously! Sure, it’s heavy-handed (and laughably idealistic if one is a wee bit cynical), but it has such charm and youthful optimism (that same unknown cynic might call it naivete) that I got sucked right in. Plus, the incredibly young Dev Anand and Madan Puri are so…incredibly young!

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August 29, 2009

Deewaar (1975)

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I watched a lot of films early on because they were on lists of Hindi film “classics” that one should watch. Some I remember well, some I do not. This is one that I didn’t think I remembered, until I began to watch it again and realized: “Oh this is where I saw that!” Turns out that a lot of my memories from “some movie” are all from this one. I’m hoping that the memories got fragmented because Hindi cinema was all so new to me back then—I was absorbing so many things, many of which I can take for granted now so they don’t distract me. Otherwise, I need to worry about my brain, because this is a great movie. The script and the performances are pure gold. If I had to put it simply I’d say it’s a story about choices, and the things that influence those choices and shape a human being, and it is done with such finesse that I am left speechless (okay, not really; this is a long post, even for me). It is a brilliantly crafted psychological portrait of the damaged Vijay in particular, supported by simply stunning performances from Amitabh Bachchan and Alankar Joshi, who plays Vijay as a boy. There is nothing wasted—not a word, not a look, not a nuance, not a scene.

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July 22, 2009

Choron Ka Chor (1970)

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Although made in 1970, this film was clearly shot on a shoestring 1950’s budget by one of my favorite B-movie directors, Mohammed Hussain. It features a very carelessly put-together plot in the hands of a very beefy (some more uncharitable than I might call him paunchy) Dara Singh and his pals Bhagwan and Agha, who are actually very funny—yes, the Comic Side Plot entertains! Opposite Dara is the very lovely Shabnam, and they are supported by the goodness that is Madan Puri and Shetty as bad people. The songs by Dattaram are very lovely too. It shares a lot of quirky Hussain characteristics with the fab CID 909, although it’s a bit more muddled and not quite as much fun. It does make an adequate alternative for a rainy day’s watching if you’re in the mood for wacky nicknames and silly disguises and don’t need much of a story.

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June 18, 2009

Ek Raaz (1963)

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What a delightful story this is! And so well done too, on every level—direction, writing, acting, cinematography. It’s a tightly plotted comedy, romance, mystery and lost-and-found tale all in one, starring Kishore Kumar and Pran, and a heroine who sticks up for herself (in 1963!). Even Lalita Pawar (how I love her) is smiley and beautiful in it, and the songs by Chitragupta are lovely, too. All in all it’s a treat for anyone who appreciates good solid entertainment—a total winner!

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