Posts tagged ‘Niranjan Sharma’

August 20, 2015

Aurat (1967)

aurat_title

As many of you know, I tend to avoid films with titles like “Woman” or “Daughter-in-Law” or “Sister” or “Bride” like the plague they generally are. But after my dear friend and devoted Rajesh fan Suhan sent me a link to one of the songs from this, I investigated further and discovered that, besides a very young Rajesh, the cast included a very young Feroz Khan, the lovely Nazima, PRAN! and a host of other stalwarts (Padmini, Lalita Pawar, Leela Chitnis, Mohan Chhoti, OP Ralhan, Baby Rani—OH Baby Rani. How I love/hate you). I figured with these people and the lovely music by Ravi maybe I could survive the Red Mist that I would likely be afflicted with, and I am so glad I took the chance.

I found it unexpectedly sweet and funny, and if the story went a bit overboard in places…well, such is life. Plus, no Red Mist at all! Or hardly at all. While it is certainly true that Padmini sacrifices early and often, her actions make sense and she is no weeping helpless pushover.

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September 10, 2011

Jaal (1967)

As with most unsubtitled, murky films with missing key scenes and transitions—and likely some reel mix-ups—I early on tossed any attempt to understand the plot by the wayside. But Jaal contains some highly entertaining elements like good songs, including a beach romp with Helen, Johnny Walker, and a host of emaciated goris in bikinis; Nirupa Roy in her element as the disturbed, bereaved Aunty; Tarun Bose as her creepy butler; and miniature boats and flashing lighthouse lights. Mala Sinha is given full scope for the things she does best: looking terribly chic in 1960s outfits, and going berserk in her own inimitable style.

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April 14, 2010

Suraj (1966)

If you are in the mood for a cleverly plotted swashbuckler a la mode indienne, reach for this one. The dialogues are written by Abrar Alvi, always a good sign, and the screenplay by Javar Sitaraman; the story is intricate, entertaining and witty. If Rajendra Kumar and Ajit are a *little* too old to be playing men in their twenties, it doesn’t really matter and they look just fine opposite Vijayanthimala. She is beautiful, even sharing lots of scenes with the younger and equally gorgeous Mumtaz, and she shows us all once again that GIRL CAN DANCE. Amazing. Shankar Jaikishan’s music is catchy and pretty, and the host of supporting character actors all seem to be having fun—Jagirdar especially, as the dacoit Ram Singh. Plus, a loyal horse and clever elephant companions: what’s not to love, really?

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October 22, 2009

Bari Behen (1949)

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Had this been the first Hindi movie I ever watched, I would have slit my wrists before I ever let anyone convince me to watch another. It’s that bad. It’s bad in the worst possible sense, my worst nightmare: a Red Mist movie. It is characterized by that maudlin, useless self-sacrifice which makes even its recipients unhappy: “For the love of God, didi, please don’t sacrifice for me!” “I will I will I will, and you can’t stop me!” “But I don’t want you to, it’s making both of us miserable!” “I don’t care, it’s my duty and my karma!” “But it’s not necessary!” “I am sacrificing because I’m noble, it’s what I do! You can’t stop me!” “But you aren’t helping anything…” “It’s my sacrifice! I’ll cry if I want to!” and on and on and on and on.

The only bright spots in this—and they should have joined hands and said “RUN!” and gone off to make a different movie together—are Geeta Bali, Rehman and Ulhas. I couldn’t even like Pran (although of course that was his objective, as usual).

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June 18, 2009

Ek Raaz (1963)

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What a delightful story this is! And so well done too, on every level—direction, writing, acting, cinematography. It’s a tightly plotted comedy, romance, mystery and lost-and-found tale all in one, starring Kishore Kumar and Pran, and a heroine who sticks up for herself (in 1963!). Even Lalita Pawar (how I love her) is smiley and beautiful in it, and the songs by Chitragupta are lovely, too. All in all it’s a treat for anyone who appreciates good solid entertainment—a total winner!

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May 14, 2009

Opera House (1961)

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I hoped for a well-plotted filmi noir story; I got a badly-plotted filmi noir story instead, but all the plot holes and suspension of disbelief requirements didn’t really matter in the face of…well, Ajit’s face! And Saroja Devi’s as well. A beautiful hero and heroine, gorgeous songs, a minimal Comic Side Plot, atmospheric cinematography and KN Singh as the villain—this was entertainment enough for me. Lovely Bela Bose has a short (albeit sadly dance-free) role too!

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