Gut-wrenching, heart-searing passion, romance and tragedy = Dilip Kumar and Madhubala. I am not talking about Mughal-e-Azam, but about 1951’s Tarana. I was in tears by the end, and it was not pretty. Their much-vaunted real life romance was clearly visible in every scene between them; I think it’s safe to say that I have rarely witnessed such intensely palpable intimacy between two people, onscreen or off. They really let it all hang out! Madhubala looked as beautiful as I’ve ever seen her; she literally lit up the screen. And in their scenes together, Dilip actually looks happy: he smiles, teases gently—I don’t think I’ve seen the Tragedy King in that light before either!
The story itself had its ups and downs, although there was some interesting social commentary mixed in with the romantic drama. Still, what made it special was the incredible chemistry between the two leads.