Even with subtitles, I probably would have fast-forwarded through vast stretches of this film; without them I spent much of my time bewildered by the plot and bored by its meandering. I might not have bothered to write it up either except for there’s an absolute dearth of material about it out there, and it does have some very redeeming qualities. It seems to have had a decent budget: there are a lot of well-known character and comic actors; the costumes and sets are lush and colorful; Helen and Laxmi Chhaya each have dances. I suspect though I can’t confirm that none of the money lavished on it went to a script writer, however. Mohammed Hussain is a director whose name I am always happy to see in the credits, but he might have been rather worn out or bored himself by the time this was made. It lacks his trademark lunacy, and that craziness is sorely missed.
Can a film about a spineless man bullied by his suspicious wife be fun? I admit, I had my doubts. Men complaining about their nagging wives get on my last good nerve. Maybe she’s nagging you because you deserve it! Maybe she was always a nagger and you married her anyway! I don’t have any patience for people (male or female) who claim other people are responsible for their own bad behavior. Khair. I saw this movie long ago in the initial throes of my Helen pyaar and didn’t remember much about it outside of her spectacular song. But my developing fondness for Kiran Kumar, who hit my radar with Jangal Mein Mangal—made by the same team with many of the same actors and a movie I thoroughly enjoyed—decided me on a rewatch.