Posts tagged ‘Moolchand’

October 12, 2011

Kahin Aar Kahin Paar (1971)

This film is exactly what I would picture a big long LSD trip to be like (because of course I have no actual knowledge of one). Although if it were an acid trip, I’d probably be dead now. It is that crazy: I have a pretty high tolerance—some less charitable might even say need—for eye-popping candy-colored visuals, but by the abrupt (and non-existent) end of this my head was exploding. Truly it is a dizzying kaleidoscopic bombardment of Cracktastic that never lets up. Low on budget it might be, but the heights of jugad are certainly scaled.

I also really love the cinematography (Shyam Shiposkar): the camera angles are fantastic. Much of the candy color is probably a result of film deterioration, but here that sad state only adds to the charm.

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May 7, 2011

Yaadon Ki Baaraat (1973)

This is one of those films I watched early on and I will admit that it confused me hopelessly at the time. I did not understand the wigs, or Dharmendra’s facial tics and popping veins, or why Tariq was so manic. I was so ignorant and naive.

Now of course, although I still have questions, I know they can never be adequately answered.

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April 27, 2010

Farishta Ya Qatil (1977)

Though this is only available (to my knowledge) without subtitles, I figured since my current blog header features images of Shashi and Bindu from the film I ought to watch it. And it’s pretty entertaining, maybe even more so if you don’t know what’s going on. I don’t need subtitles to know that there is a lot of patriotic fervor and anti-smuggling-corruption-greed preaching in the story, but there are lots of subplots woven together too and without subtitles I have no idea if the subsequent story fabric is a sturdy khadi or fraying and full of large holes; I don’t care, either. Shashi is beginning to show his age (well, so am I) but he is still worthy eye-candy (see above), and Rekha is at her delightfully plump and imperious best. A huge cast of character actors—many of whom I need help identifying—are decked out in dizzying full-on seventies fashions, bad wigs, and huge sideburns, all in aesthetic competition with the beautiful Rajasthan desert.

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June 25, 2009

Faulad (1963)

faulad_amibad

When a filmmaker has limited means and can thus only make a movie that’s

faulad_partlycolor

don’t you think he or she should choose the color portions wisely? Alas, this is never the case. In Faulad for example, most of the action takes place in fabulously ornate palaces and havelis and on a pirate ship, and it’s all black and white. At the end, when all the action is taking place in a boring, dingy dungeon—it’s in color! I don’t need to see a gray stone dungeon in color!

Nevertheless, Faulad is a lot of fun. It’s hard to go wrong when Mohammed Hussain is directing (and Dara Singh, Mumtaz and Minoo Mumtaz are starring in) a film with swashbuckling Arabian Nights championship wrestling action and gorgeous songs (by the criminally ignored GS Kohli)!

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