Here is a 1968 James Bond-meets-Chitty Chitty Bang Bang cheesefest from the Master of Masala himself, Manmohan Desai. While I haven’t seen all his films, I’ve seen most of them, and this is the first one that’s been devoid of any message (well, except: “betraying your country is wrong”). There’s no religious symbolism, or paeans to the poor and downtrodden, not even a single tearful Ma; just a villain named Scorpion, an unwitting hero, his beloved, his friend, his friend’s clever car, and some microdots hidden in a guitar. Sounds good, right? Wrong. Better editing (and possibly a higher kitsch budget) could have made it entertaining; but as it is, it’s an unfocused, meandering, silly film.
Sagai (1966)
This movie made me want to stick needles in my eyes. Every emotional excess was indulged in, and the only enjoyment to be had were the songs by Ravi and a Helen dance. Tragedy piled upon misery piled upon desperation made it difficult to watch for more than 20 to 30 minutes at a time, so it took a week (and a lot of grit and determination) for me to get through it. Why did I feel the need to get through it? I have no idea. Probably I need therapy.
Yeh Raat Phir Na Aayegi (1966)

I was pretty happy to finally find this film on DVD since I’ve long loved OP Nayyar’s songs from it. Also it features three of my favorite people: Prithviraj Kapoor, Mumtaz and Helen. It’s beautifully shot in black and white and is very atmospheric (except for the omnipresent bright orange Time N Tune logo). The story takes some unexpected turns, the music is stunning, and overall the pace and the acting is good. But I ended up feeling that I should have liked this movie better than I actually did.


