Shashikala is one of my favorite actresses. And how much do I love the verbiage on this page:
I’m not sure I would appreciate being called an “incubator bred chicken,” gorgeous or not!
June 3, 2009
Hira Aur Patthar (1977)
I struggle a bit with Hindi films that are a commentary on religion and atheism since of course by Hindi Film Law the protagonists all have to end up squarely on the side of religion. I grew up on a mission station, attended church every Sunday for the first 17 years of my life, sang in the church choir, belonged to the youth group, etc., until I left home and could finally choose what to do on Sunday mornings for myself (generally I chose to sleep in). So turning my back on organized religion and embracing atheism was an “informed” choice for me and I doubt that I will ever change my mind. Having said that, one of the things I appreciated about this movie was its open discussion of atheism and morality and how they are not necessarily in conflict. Plus: Shabana Azmi, Shashi Kapoor, Ashok Kumar and Bindu!
June 2, 2009
Saajan (1991)
If ever you have an urge to ask your hairdresser for a mullet, watch this film to help kill it dead. Also watch it because it’s a surprisingly not-too-melodramatic and sweet love story-slash-bromance, especially if you are a Sanjay Dutt and Madhuri Dixit fan. There is a lot of abominable early 90s styling (poor Madhuri!—her career was at its height during a truly awful time for clothing, hair and heroes) and plenty of evidence that money does not buy taste:
But it’s good fun if you like light romantic fluff and can at least tolerate the cheesy excess.
May 31, 2009
Red Rose (1980)
A genre that I haven’t explored much (and by “much” I mean “at all”) in Hindi cinema is that of the horror film. This is not surprising since I dislike being scared, and even the cheesiest of devices employed by the worst directors can cause me several sleepless nights. Examples of movies that have terrified the bejesus out of me include Frankenstein: The True Story (1973) and The Hills Have Eyes (1977), and I don’t even want to discuss the ramifications of Jaws on my hygiene in 1975.
But if I’m going to call myself a true connoisseur of Hindi film (and I really really want to!) then I clearly need to suck it up; and since Suhan offered to hold my hand (via an online watchalong) I decided that Rajesh Khanna’s foray into the genre would be a good place for me to start.
May 31, 2009
Superstar Rajesh Khanna
I have been busy with life, etc. (yes, I do have one sometimes!) but thought I’d share this lovely photo of Rajesh Khanna from the June 19, 1970 Filmfare magazine. Review of Red Rose coming up soon…
May 26, 2009
Cha Cha Cha (1964)
Helen, Helen, Helen. How your talents were (mostly) squandered by the powers-that-were in Hindi cinema. But actor Chandrashekhar, when faced with the prospect of starring in his own vehicle (he produced and directed this too), decided to cast her as his heroine. Excellent decision—except he really should have found another hero too. In a cast that also includes Om Prakash, OP Ralhan, Aruna Irani, Bela Bose, Iftekhar, Madan Puri and these two:
plus guest appearances by Dara Singh and Tun Tun, Chandrashekhar himself is the only blight. Well, he and the shrewish Ma to end all shrewish Mas, Leela Mishra. Dull and doughy as he is, seeing him opposite vivacious and beautiful Helen is just wrong. But otherwise, Cha Cha Cha is oodles of Beach Blanket Bingo type fun!
May 22, 2009
Kuch Kuch Hota Hai (1998)
Ah, the ’90s: swelling orchestral music, wind machines, flowing chiffons, campy sound effects, foreign song locales, palatial mansions, excess on every front. How I love excess! Especially when it includes Shah Rukh’s twisty almost-crying face. Why is it that he can make that face and I don’t want to toss things at the screen? Why is it that I love this film so very very much? It should annoy me, but it doesn’t. It’s corny and cartoony and shamelessly manipulative, but it tugs at my every heartstring. I always end up awash in tears—and loving every minute of it.
May 21, 2009
Sharafat (1970)
When a movie opens with yet another poor woman forced to give up her husband for the sake of his family’s honor and material wealth, leaving her and their baby nothing to fall back on but prostitution, I usually think: Oh No No No No.
But I love this film. It’s one I can watch over and over just for the beauty of Dharmendra alone. He is at his best around this time in my opinion, and it is one of his first films with a very young and pretty Hema Malini. But beyond that, it has a good, nicely-paced script (punctuated though it is with a completely superfluous and tiresome CSP) which culminates in a satisfyingly emotional way (in other words, I cried); although I must confess to some ambivalence about the overall message (more on that towards the end). Plus: absolutely lovely songs by Laxmikant Pyarelal and lots of dancing from Hema!
May 18, 2009
Bombay To Goa (1972)
Finally (thanks to Beth!) I got around to watching this Mehmood production, and I’m so glad I did. I seem to be on a roll of “not much plot but plenty of other stuff to entertain” types of films! I am sure I missed a lot of the regional humor, although some of it was so broad I couldn’t miss it—the south Indian family, for instance. Parts of it did drag on a little too long (the whole film was one big long Comic Side Plot, after all), but it was so much fun picking out guest actors and marvelling at Amitabh’s shirts that altogether I was highly entertained. Some of the subtitles were hilarious too—sometimes even because the actual dialogue was hilarious. Although Aruna Irani and Amitabh Bachchan were nominally the hero-heroine, it was a Mehmood & Friends vehicle all the way (no pun intended)!
May 17, 2009
The Train (1970)
So stylish! So much of eye candy! One of those rare films to make Excellent Use of Helen (and inspiring me to add a category here), The Train is oodles of filmi noir crime-fighting fun. It also has one of the best RD Burman background scores EVER, with RD himself adding vocals. Just listen to this!
It stars a young, very handsome Rajesh Khanna *sigh* and one of my favorite heroines, Nanda, along with an absolutely hilarious Rajendranath; Madan Puri and Shetty provide the villainy. Despite an extremely silly plot with gaping holes and mind-boggling suspension of disbelief requirements (especially at the end) it is well worth the time spent watching—and I have lots of screen caps to prove it!
MemsaabStory 