November 6, 2011
Kishore Kumar is one of those actors (Mehmood being another) who either makes me laugh out loud or completely irritates me. The script, direction and supporting characters make the difference usually, and I think that’s the case (and by “case” I mean problem) here too. Even though Shakti Samanta directed, after about the first hour I was fast-forwarding through more than I watched—not only is the frantic slapstick not funny, but the Curse of the Second Half derails what little entertainment there is. The story manages an interesting turn in the middle but then resolves itself in the stupidest manner possible. Plus the supporting cast are grating—even Madan Puri as a buffoonish bad guy just isn’t funny. In fact Edwina, who watched some of it with me and appears in two songs, asked me how on earth I can sit through such stuff.
She seems quite amazed at my tolerance for total crap, but I’m sure it comes as no surprise to any of you who come here regularly.
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Posted in Hindi movies |
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October 31, 2011
While I muck around with Edwina making faces that scare the dogs and learning how to Twist (it’s easier than I thought! and even more fun!!) here is more trivia for you to entertain yourselves with.
Can you name the male child actors “singing” in each of the following two video clips?
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Posted in Hindi movies, Trivia time |
57 Comments »
October 25, 2011
Just when I fear that I may have seen all the crazy Indian spy films that there are to see, another one appears. This one is not quite as loony as my beloved Spy In Rome or Puraskar, but that is probably because it also had a larger budget and A-list stars (Waheeda Rehman and Rajendra Kumar). Still and all it is satisfyingly filled with many of the same tropes: an enemy country never called by its actual name, but whose denizens all have names like Comrades Ping and Chang and Shin Cho. They are led by an angry man we only ever see in silhouette until the end, who kills his loyal henchmen at the slightest provocation with weapons like machine guns mounted on turrets (and marvelous dying theatrics on the part of those men, although there is a sad lack of blood and gore). AND IT HAS SUBTITLES, hooray!
Plus, all the usual suspects—Madan Puri, Rajan Haksar, Ratan Gaurang—are present, sporting Fu Manchu moustaches and squinty eyes. Seriously satisfying.
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Posted in Excellent Use of Helen, Hindi movies |
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October 21, 2011
I guess my bias towards people behind the scenes is showing, since this is the second article of two (so far) that is all about a star’s wife’s point of view! Dharmendra’s wife Prakash, whom he married in 1954 at the age of 19 and with whom he has four children, Ajay (Sunny), Bobby, and two daughters, has mostly shunned the spotlight; but a persistent Stardust reporter cornered her in her home in 1981 and this was the result. Of course verifying its accuracy is impossible, but I think it is an interesting read and a glimpse into how Prakash has managed to retain her dignity and (hopefully) peace of mind in the face of Dharmendra’s well-publicized affairs and eventual second marriage to Hema Malini.
Prakash Kaur Deol interview
Posted in Hindi film history, Hindi movies |
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October 17, 2011
I am very busy these days with my new Indian Maa Edwina, who is visiting me for a month and bossing me around and cooking for me and making me laugh and laugh and laugh. (For lots more about her go here!) Also I have a new computer so am still in the process of getting everything transferred and software up-to-date and all that not-so-fun stuff. So in lieu of longer posts about films (although I’ll get to reviews when I can) I thought I’d entertain you with some of my favorite articles from my stacks of vintage magazines. They will be in pdf format and if you have trouble viewing them in your browser window, simply right- (or control-) click to save them to your hard drive and use Adobe Reader (free download) to open them.
This particular installment is an interview with the lovely Jennifer Kapoor, wife of The Shash and mother of aspiring actors Kunal, Karan and Sanjana, from the December 1983 edition of Stardust. Enjoy!
Jennifer Kapoor article
Posted in Hindi film history, Hindi movies |
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October 12, 2011
This film is exactly what I would picture a big long LSD trip to be like (because of course I have no actual knowledge of one). Although if it were an acid trip, I’d probably be dead now. It is that crazy: I have a pretty high tolerance—some less charitable might even say need—for eye-popping candy-colored visuals, but by the abrupt (and non-existent) end of this my head was exploding. Truly it is a dizzying kaleidoscopic bombardment of Cracktastic that never lets up. Low on budget it might be, but the heights of jugad are certainly scaled.
I also really love the cinematography (Shyam Shiposkar): the camera angles are fantastic. Much of the candy color is probably a result of film deterioration, but here that sad state only adds to the charm.
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Posted in Excellent Use of Helen, Hindi movies |
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October 1, 2011
For me, An Evening In Paris = Pran’s bright orange Joker hair + lovely songs. It’s not one of my favorite Shammi films, although there is lots of pretty—especially Sharmila. In fact, everyone should have two hours of footage like this of themselves looking impossibly glamorous, heart-meltingly beautiful, and haughtily chic. If I were Sharmila I would probably watch this every day. Shammi is quintessential Shammi: he looks a little the worse for wear around the edges, but retains his considerable charm and his willingness to make a complete idiot of himself (one of my favorite things about him).
I think my main quibble is with the plot, which is all over the place (literally!), too long, and brain-dead in places. There’s also a complete lack of real character development. It’s as if Shakti Samanta just needed a backdrop for the music and stars and didn’t care about the rest; unfortunately it gets tedious, stylish though it is—the fashions and hair and sets, oh my! Plus it’s lovely to see the locations (Paris, Switzerland, Beirut, the Niagara Falls) as they were during that era, even if we are required to believe sometimes that Paris is filled with signs in German and that the French countryside looks just like India.
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Posted in Hindi movies, Yahoo! Shammi! |
71 Comments »
September 27, 2011
If I didn’t know any better, I would now believe that Sher-E-Watan means “Men Without Pants”. Experienced Dara fan though I am, the sheer amount of male crotch-and-thigh on display amazed me; most of them wear nothing longer than a micro-mini tunic (Dara’s looks like leopard print velvet) or short skirt. Female costuming is confused and random, ranging in style from Arabian Nights to 1950s American Prom. Of course, I am not complaining; in fact along with the music by Usha Khanna, muscular men and pretty women in sparkly costumes are basically the reason to see this. Along with the monster named Octopus which is actually a man in an ape suit with bear claws.
Oh Indian cinema, you truly are the gift that keeps on giving!
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Posted in Hindi movies |
34 Comments »
September 23, 2011
How much do I adore this film? Let me count the ways! 1) Dharmendra; 2) Mumtaz; 3) everybody else in it—wah! what a cast; 4) the gorgeous songs; 5) the fine ultra-masala plot; 6) Dharmendra’s chaddies; 7) the props and sets, including my new obsession the Egyptian Room; 8) the best use of Indian Movie Balloons and (possibly) Padma Khanna EVER; 9) Mumtaz’s outfits and Spare Hair; 10) no Comic Side Plot to speak of; 11) wooden gora extras; and 12) everything else I haven’t mentioned. Everything.
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Posted in Hindi movies |
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September 15, 2011
Finally I get to see Himansu Rai and Devika Rani paired together (although they aren’t very happy for much of it) in this early English-language talkie, a collaboration between Rai and an English movie studio. Unfortunately the audio and video in my copy is completely out of synch, but I persevered because the visuals are so great and at least I could understand what was being said, even if it was coming out of the wrong mouth. The ending is also very abrupt; I am not sure if it was due to damage or what, but you can’t have everything.
I gather that the film is mostly famous for having a very long kissing scene although no one ever mentions that Himansu Rai’s character is completely unconscious through it.
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Posted in Hindi film history, Hindi movies |
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MemsaabStory 