Like the other two of this silent-era triad which I’ve written about here, this Indian-German collaboration produced by Himansu Rai and directed by Franz Osten is a visual feast. Filmed outdoors on location and beautifully photographed, it’s the story of Empress Mumtaz and the Taj Mahal (based on a play by Niranjan Pal) with some creative twists and turns. As with A Throw Of Dice, Himansu Rai loses the girl to Charu Roy; but sweet-faced Seeta Devi plays villainess here instead of heroine with a relish that steals the show.
The Light of Asia (Prem Sanyas) (1925)
Oh, what a treasure this film is! It brought the light and beauty of 1920s India into my cold snowy winter, and cheered me considerably. I can only hope that it will someday soon be available in gorgeous professionally embellished dvd form like its sibling A Throw of Dice. The movie itself is more a series of staged vignettes than what we now consider a motion picture, although there is plenty of pageantry: shambling elephants, prancing horses, trotting camels, and crowds of people. And if the story is a bit over-simplified (adapted from Edwin Arnold’s 1897 epic poem by the same name about the life of Prince Gautama, the Buddha) it doesn’t really matter to me. This is a rare glimpse of history indeed, and a visual and creative feast.
A Throw of Dice (Prapancha Pash) (1929)
I have to start out this review by thanking dustedoff and Laura for bringing this film to my attention. It never occurred to me that anything from the silent era in India might be available on DVD, let alone so beautifully restored with English intertitles! A gorgeous soundtrack by Nitin Sawhney which complements the visuals perfectly has also been added. Many of these older films are worth watching mostly for their historical value, but this—this is a treasure and a treat, all at once. It’s also short, clocking in at 74 minutes.
It’s the third film from the collaboration between Himansu Rai and German director Franz Osten, which had already produced Light of Asia and Shiraz. Osten was working with his brother Peter Ostermayr’s production company Emelka in Germany when he met Himansu and Devika Rani, and came to India to work with them on these joint efforts. This partnership also gave us 1936’s Achhut Kanya starring Ashok Kumar and Devika Rani; but when World War II broke out Osten and the other German technicians were arrested by the British and then deported, and Himansu Rai died in 1940.