Posts tagged ‘Rajesh Khanna’

November 16, 2011

Chakravyuha (1978)

This is a pretty silly adaptation (by Basu Chatterjee, no less!) of Hitchcock’s The 39 Steps which nonetheless manages to be quite satisfying entertainment. Basu Sahab is a little out of his element, but that works for me since I find most of his films similar in nature to watching paint dry. Sticklers for things like continuity, context, and attention to detail might not enjoy it as much as I did; but with my dear friend Suhan translating as we went, it made for a very pleasant afternoon watch-along. There are some of the director’s finer touches here too: authentic settings, intimate and humorous interactions between people, plenty of local color.

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April 28, 2011

Jaanwar (1982)

Rajesh Khanna makes a fabulous Tarzan Dara Singh hero in this tale of palace treachery which extols the moral superiority of animals over man, a message I wholeheartedly endorse. Zeenat Aman plays a wild jungle girl (yes, it is as hilarious as it sounds), the rightful heiress to her murdered father’s throne, who has been raised from infancy by a very maternal gorilla—by which I mean a guy in an ape suit.

Plus, Pran as Dr. Doolittle! Oh, how I love B-movies. I was fortunate to get this one from my dear friend and Rajesh devotee Suhan, who also watched it with me and filled me in on all the unsubtitled goings-on—and there is a lot going on.

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February 14, 2011

The Room

Help me, 1970s Hindi cinema fans!

I have seen the same ballroom or restaurant or something which I believe was not a set but an actual place—quite possibly in a hotel—in Bombay in the mid-1970s. It was used in a gazillion movies made between 1973 and 1978 or so. I call it simply “The Room” because it really defies any other kind of description; and I LOVE IT.

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September 17, 2010

My fifteen favorite Mumtaz songs

Mumtaz simply cannot be contained in a list of ten songs only: she had the good fortune to work in an era—and in films—with such great music, that I just find it impossible. Not only that, but because she was often the heroine (first mostly in so-called B-movies of the sixties, then as an A-list star in the seventies) she usually had three or four songs per film, unlike women who were confined mostly to dances or small supporting roles.

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September 14, 2010

Andaz (1971)

It’s time to return to beloved Shammi: my eyes have been roving of late (Chandramohan, Shyam, the Shash)—but they will always come back to my favorite! One of my goals for this blog is to write about all his movies that I can find and comprehend (i.e. with subtitles). This is one I haven’t watched in a very long time despite remembering it as a wonderfully romantic story which I enjoyed very much. And I love Shammi in this film; he shows a subdued maturity that is really appealing without losing the Melt Factor that I so adore in him. And although Hema is obviously much younger (she is so gorgeous in this), her character has a gravity that makes it work. The kids are not as annoying as they might be either, especially Master Alankar as Hema’s really cute son Deepu. Baby Gauri—Shammi’s daughter Munni—is a hilarious little monkey, if a little *too* spoiled rotten at times.

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September 1, 2010

Tarun Bose (Part 6): Sweet memories

My father began his career in films with Mala Sinha and Abhi Bhattacharya. Abhi Bhattacharya was a very nice man: in fact, a thorough gentleman. He had an interesting trait. He had the ability to fall asleep anytime, almost anywhere and under any circumstances. Once dad observed that Bhattacharya wanted to take a nap but could not find a pillow; finding a brick instead, he just went ahead and laid his head on the brick and instantly fell asleep. Dad shared a warm relationship with him and they acted together in a number of films.

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August 14, 2010

Raja Rani (1973)

This is one of my favorite Rajesh Khanna films: his character Raja and his chemistry with Sharmila’s Rani is beyond sweet. My friend and Rajesh expert Suhan points out that it’s possibly the only film they made where they actually get to spend time together being young and in love instead of being painfully separated and only reunited in old age! RD Burman’s music is lovely, the performances are strong (with some fun guest appearances); the story is interesting and nicely paced with lots of humor, and the characters beautifully etched. If you are in the mood for some sweet romance and stylish seventies fun, this is a well-made and non-taxing movie to settle in with.

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June 16, 2010

Tyaag (1977)

This Sharmila Tagore home production took years to make and it shows, mostly in Rajesh Khanna’s hair. But it’s sort of fitting, actually, because the story itself takes place over years—as do all of the Sharmila-Rajesh movies, with lots and lots of suffering and noble sacrificing principles (tyaag!) along the way. This is full of all that, but still I enjoyed it: sometimes angst is not misplaced and human frailties can cause a lot of trouble. I will say that the subtitles leave a lot to be desired—they are patchy in places (long dialogues with short or no subs) and hard to read at best. My friend Suhan did her best to fill in the gaps but even so a lot of the dialogue went over my head, making the film much less meaningful for me I think than it might otherwise have been. The music by SD Burman (his last soundtrack) is also very pretty indeed (my favorite is the duet “Hum Tum Hain Tum Hum”).

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February 25, 2010

The Best of Stardust 1978 (continued)

(Image above is the back cover.)

Here are four more goodies from the “Best of” Stardust issue. The first is an expose (in her own words) of Nutan’s war with her mother Shobhana Samarth over money, and her wrath with Sanjeev Kumar when she discovers that he is behind the persistent rumors of her affair with him (she gives him a tight slap! Go girl!). Then we have an interesting short article speculating on the “Mangeshkar Monopoly” and whether Lata and Asha are sabotaging the careers of other singers. In the third, Rajesh Khanna and Anju Mahendru air their relationship dirty laundry (bit-ter!); and finally, Shashi Kapoor’s secretary accuses him of all sorts of shenanigans and loyal wife Jennifer leaps to his defense.

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December 10, 2009

Maryada (1971)

What IS it about Raaj Kumar? What? His acting is theatrical, he is not very handsome really (and was apparently quite weird in real life) and yet I love to watch him onscreen. Not in a “look at that godawful wig!” kind of way either, but in a “he is strangely interesting, I cannot look away” kind of way. Throw in Pran (speaking of godawful wigs), a very handsome in-his-prime Rajesh Khanna and a Helen song, and I’m in! This movie is very “masala” with its separated twins, scheming villains (Pran!), a truncated wedding, glorification of the poor and downtrodden, and plenty of Nahiiin Face. I would not call it a good movie exactly, but it is pretty solidly entertaining.

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