This is one of my favorite Rajesh Khanna films: his character Raja and his chemistry with Sharmila’s Rani is beyond sweet. My friend and Rajesh expert Suhan points out that it’s possibly the only film they made where they actually get to spend time together being young and in love instead of being painfully separated and only reunited in old age! RD Burman’s music is lovely, the performances are strong (with some fun guest appearances); the story is interesting and nicely paced with lots of humor, and the characters beautifully etched. If you are in the mood for some sweet romance and stylish seventies fun, this is a well-made and non-taxing movie to settle in with.
*Now with subtitles!*
I guess wishing very very hard for something does make it come true—at least sometimes, when you have friends like Tom and Raja. I saw this film a couple of years ago but never bothered to write it up because there was no reason to: Todd over at D4K already had, and brilliantly so. We have long lamented the lack of subtitles for this; it has a LOT of plot, and much of it is incomprehensible without understanding the dialogues. So when Tom recently found some awesome people willing to help subtitle songs for his wonderful compilation dvds (hooray for Ava, Madhu and Raja!), I somehow got him to agree to make a subtitled version of this enchanting and stylish Indian science fiction should-be classic.
If you think your parents could have done better by you, at least be grateful that you aren’t poor Mirza or Sahiba. Sahiba’s family are all nasty pieces of work, with the sole exception of her father who is an ineffectual panty-waist. Her mother is an abusive shrew, and her spoiled and arrogant brothers are murdering bullies. And Mirza’s mother leaves her young son in the “care” of that same family, despite being at the receiving end of their ill-treatment herself and knowing that they dislike Mirza equally. With this sort of beginning, the only hope one can really have is that things will look up eventually…but as we all know, in this sad tale they never do. The only things that kept me going were Beloved Shammi and the really lovely music by Punjabi music director Sardul Kwatra (who also produced it).
There’s nothing finer on a wintry and cheerless day than a Wadia Brothers Arabian Nights tale brought to you in Glorious Gevacolor! I am pretty sure that an early Nadia stunt film would be equally fine, but until they become readily available these are just the ticket. Standard features include feisty beautiful women (and dancing girls) in harem outfits, a swashbuckling hero (and in this one Mahipal is not even girly), kings with evil commanders named Something Beg, scores of caped extras, an intrepid animal companion or two (Zabak‘s is a white horse who doubles as the Comic Side Plot!), lovely songs (by Chitragupta here)—and always, absolutely always, every frame is filled with stuff that I would kill to get my sparkle-loving hands on.
Zabak is no exception to my Wadia Brothers Cardinal Rule (which is that the Wadia Brothers…well, RULE).
When a filmmaker has limited means and can thus only make a movie that’s
don’t you think he or she should choose the color portions wisely? Alas, this is never the case. In Faulad for example, most of the action takes place in fabulously ornate palaces and havelis and on a pirate ship, and it’s all black and white. At the end, when all the action is taking place in a boring, dingy dungeon—it’s in color! I don’t need to see a gray stone dungeon in color!
Nevertheless, Faulad is a lot of fun. It’s hard to go wrong when Mohammed Hussain is directing (and Dara Singh, Mumtaz and Minoo Mumtaz are starring in) a film with swashbuckling Arabian Nights championship wrestling action and gorgeous songs (by the criminally ignored GS Kohli)!
After suffering through the last two films, I really needed a dose of Mohammed Hussain, maker of low-low-low-budget zany B-movie fare. Fortunately, I had just the thing on hand: a film starring Feroz Khan, Mumtaz, Helen and Bela Bose, with appearances by Tun Tun and Master Shetty! Music by OP Nayyar, choreographed by my new best friend Herman! A plot about a scientific formula written in code for making something touted as a “peace bomb”! I settle into my chair with a happy sigh.