Mumtaz simply cannot be contained in a list of ten songs only: she had the good fortune to work in an era—and in films—with such great music, that I just find it impossible. Not only that, but because she was often the heroine (first mostly in so-called B-movies of the sixties, then as an A-list star in the seventies) she usually had three or four songs per film, unlike women who were confined mostly to dances or small supporting roles.
Lately I’ve had my iPod repeating a playlist that I put together of songs from 1960s films that are just bubbling over with western charm: guitars, trumpets, double basses, and the odd ukelele or two are used in what still remain quintessentially Hindi film songs. These are songs that have gotten stuck in my head time after time: I quite simply love them! It’s hard to pin down what makes them a collection, but picture doing the twist on a picnic with chums, or curled up with a martini on pleather space-age furniture in Daddy’s mansion. If I had to categorize them, I would probably settle on “Bollywood Lounge” although I’m not sure that quite covers it.