August 23, 2012
This gleefully patriotic and decidedly low-budget spy movie is the brainchild of the legendary (to some of us anyway) fedora-loving actor-director-producer Nisar Ahmad Ansari, and it is also Faryal’s debut film. It stars other Ansari favorites Bela Bose, Nilofar, Pradeep Kumar, Johnny Walker and a host of lurking henchpeople. I watched it without the benefit of subtitles and therefore missed any subtleties there may have been, but all anyone really needs to know is that India’s “top two Security Agents” are chasing bad guys who want to get their hands on a microphillum giving away military installations, bridge locations, and “all hamara important documents.” Plus, Ted Lyons & His Cubs back up gorgeous Bela, and it contains one of my very favorite Edwina songs: and all the music is fabulous really, from Chitalkar Ramchandra.
Like all Ansari movies and others of its ilk, this is like watching enthusiastic hormonally-charged teenaged boys playing cops and robbers, and I mean that only in a good way. Rife with silly and largely pointless disguises, beeping gadgets, guns, coded musical messages, and pretty dancing girls, it is oodles of loony fun.
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June 14, 2010
*Now with subtitles!*
I guess wishing very very hard for something does make it come true—at least sometimes, when you have friends like Tom and Raja. I saw this film a couple of years ago but never bothered to write it up because there was no reason to: Todd over at D4K already had, and brilliantly so. We have long lamented the lack of subtitles for this; it has a LOT of plot, and much of it is incomprehensible without understanding the dialogues. So when Tom recently found some awesome people willing to help subtitle songs for his wonderful compilation dvds (hooray for Ava, Madhu and Raja!), I somehow got him to agree to make a subtitled version of this enchanting and stylish Indian science fiction should-be classic.
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December 29, 2009
As inured as I am to the crimes against humanity (and cinema) perpetrated by Indian vcd/dvd manufacturers, this left me gasping when it abruptly showed up smack in the middle of a climactic scene about an hour and a half in:
A burning problem indeed! Since I didn’t actually buy this (thanks Shalini! *mwah*!) I don’t have any idea whether Priya’s packaging warned the consumer to expect an abrupt cessation of events. I’m guessing not, though, and they fill in the last half hour with ads in case you are inclined to demand your paisa vasool, which I at least did not have to worry about.
The situation does beg this question: am I glad I saw what I did of the film, even if I had no idea what was going on (no subtitles) and never did find out how it ended (burning problem)? The answer is a qualified yes: I am grateful for what is there, garish as it is, especially the songs by GS Kohli. They are fabulous. But I am also painfully aware that there will likely be no opportunity for me to ever see it as originally intended, all the way through. It is a sad loss indeed.
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