Posts tagged ‘Manorama’

September 30, 2012

Katilon Ke Kaatil (1981)

Some of you I imagine will scratch your heads and say: “This is the dubious production she’s choosing to review after so long?”

Many more of you will say: “Well of course it is.

To all of you I have only two words: Arjun Hingorani. I have seen a few films in the month since I last posted a review, but as nice as some of them were they simply didn’t inspire me enough to overcome the cloud of Callie-worry and work overload. I was positive that the letter ‘K’ loving Mr. Hingorani would have something up his sleeve to make my eyes pop out. And so he did. He always does.

April 16, 2012

Mujhe Jeene Do (1963)

Now with English subtitles!

I’ve said it before and I’m likely to say it again: I love Sunil Dutt as a dacoit. He is just so perfectly suited to the black tilak, the mouche, the gold hoop earrings, the manly bullets slung around his tall form.

August 10, 2011

My Love (1970)

Here we have another relatively obscure film which does not deserve to be abandoned to the unprofessional shenanigans of Ultra, although it isn’t any masterpiece for sure. But stars Shashi Kapoor and Sharmila Tagore are young and gorgeous, as is the exotic setting (Kenya, complete with Masai warriors and lovely wildlife footage). They are backed up by the *extreme* cuteness of Laxmi Chhaya—who dances several times too—and the blessed presence of stalwarts Madan Puri, Rajendranath, Nirupa Roy, and Jayant. It is of course not subtitled and much of the angst went over my head (not necessarily a bad thing); but I loved the travelogue eye-candy of the first half and giggled through the melodramatic soap-opera quality of the second half, complete with crazed camera angles and abundant overuse of the zoom lens, Emoting Shashi, and strident musical effects.

March 31, 2011

Lux beauty secrets!

Beauty product endorsements and actresses go back a long way…Do you think Lux can be credited with keeping Leela Chitnis beautiful into old age?

January 28, 2011

Cobra Girl (1963)

Also known as Naag Rani, this movie is a perfect example of how the so-called “B movie” genre contains gems (no Naag Mani pun intended, or not much) of movie history which really need to be treated with more respect. I would rather watch this and others of its ilk a hundred times over than watch Sahib Bibi Aur Ghulam or Mother India more than once or twice. Sure, those are great films; but they aren’t exactly uplifting entertainment! Why is such pure uplifting entertainment as this so frowned upon and discarded? Very often the zany trappings overlay genuine emotional content and messages which are far more palatable to me than the stifling conservatism of mainstream Hindi cinema.

August 27, 2010

Dulhan (1958)

Or, the Lamentations of a Bhartiya Naari

How much does being a model of Indian Womanhood suck? Dulhan counts the ways!

January 15, 2010

Mere Huzoor (1968)

The Raaj Kumar love continues here with this lovely Muslim social drama about marriage and gender relations. A big thank-you to my friend Raja and his friend Bharat for getting the dvd all the way from India to my doorstep! Films about women’s status in society and the choices they are given (or not) often disturb me or just plain make me angry. This one disappointed me—it came this close to being a true winner, and then failed—but was better than most from this era all the same (I’ll talk more about it with spoilers at the end).

Mere Huzoor is justly famed for its songs by Shankar Jaikishan, and happily were also subtitled as the lyrics (Hasrat Jaipuri) are lovely too. A big reason I love Muslim socials are the sets and costumes, and they don’t let me down here either! Mala is pretty good until she lets it all hang out at the end (which is highly entertaining all the same), Jeetendra is handsome although bland; it is Raaj Kumar who makes this worth watching though. He is wonderful as the misunderstood and melancholic Nawab who lives life on his own terms. He is such a strangely attractive man, odd wig and all!

October 30, 2009

Achhut Kanya (1936)

achhut_kanya

First of all, I would like to thank Muz for sending this to me. He has also provided me with Pukar, Sikandar and Raj Nartaki (review upcoming), and thank goodness people like him appreciate Hindi cinema history enough to preserve it when they can. I appreciate his sharing these films with me more than words can ever express, and the same goes for the other friends I’ve made here who share their rare treasures with me too. Bless all of you!

This film from Bombay Talkies is widely written about as an early classic. It was a huge hit, and launched Ashok Kumar into stardom (albeit a bit reluctantly!). It’s also my first look at Devika Rani onscreen. Unfortunately there aren’t subtitles, and I think a lot of this film’s impact comes from its dialogues; they went way over my head. The basic plot is easy to follow, but there is a lot of “room talk” (or maybe “porch talk” is better here) which drives the action. Even without understanding the dialogues, though, I found this film ineffably sad. Though it is 73 years old, it is unfortunately just as relevant today with its portrayal of prejudice and intolerance. Will we never learn anything from our mistakes?

August 16, 2009

Neend Hamari Khwab Tumhare (1966)

nhkt

This is an absolutely charming, quintessentially 1960s film with a cast of stalwarts and the ever-charming and delicious Shashi at his “aw-shucks” best. The story centers around two Muslim families, which makes for lovely fashions for Nirupa Roy and Manorama who play the matriarchs of each. Nanda is styling, too! The only (minor) disappointment for me was the music by Madan Mohan; it was nice enough—and picturized well—but didn’t make much of an impression. What makes the movie memorable though is the strong ensemble cast, who all contribute humor, believability and warmth to a plot which moves briskly along.

June 22, 2009

Khazanchi (1958)

khazanchi

This little gem of a film has been sitting on a shelf for several years now and I have no idea why I never watched it. I think I bought it because I was obsessed with Helen and she is supposedly in it: not only does the DVD cover credit her, but so do the actual credits inside the film, plus it was directed by her…um…significant other, PN Arora. But—she is nowhere to be seen. Strange. And, for me, sad.

Nevertheless, I should have paid it more attention. A key ingredient in liking a film for me is liking most of the people in it. This one does a superb job of drawing the viewer into the families and relationships of the main romantic pair. This is largely due to the well-written story and a great cast: a young and handsome Rajendra Kumar, the beauteous Shyama and Chitra, and the able support of Balraj Sahni, Manorama, Anwar Hussain and HelenSN Banerjee. Also the music by Madan Mohan (and the way the songs are shot) is just gorgeous! It’s a very engaging film with a reasonably exciting and suspenseful resolution.

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