Posts tagged ‘Indira Bansal’

August 4, 2012

Thakur Jernail Singh (1966)

I love a good daku-drama, and Dara Singh makes one very satisfyingly manly dacoit (I mean, he is the guy who later carved “MARD” into his infant son’s chest). This film is surprisingly serious much of the time though, with an unexpected (at least to me) ending; it’s not his usual lighthearted type of stunt film although there is plenty of delicious fun to be had nonetheless. Director Mohammed Hussain has long been one of my more prolific and dependable favorites, having delivered the crazy likes of FauladShikariMain Hoon AladdinCID 909Teesra Kaun, and on and on). For the cast he has roped in his usual stalwarts, including Helen as heroine and perpetually belligerent Shyam Kumar in a Prince Valiant wig. And of course, being a “B-movie” it has beautiful music too, with lively dances from the gorgeous Bela Bose, Madhumati and Rani, among others.

Let’s get to it, shall we?

September 27, 2011

Sher-E-Watan (1971)

If I didn’t know any better, I would now believe that Sher-E-Watan means “Men Without Pants”. Experienced Dara fan though I am, the sheer amount of male crotch-and-thigh on display amazed me; most of them wear nothing longer than a micro-mini tunic (Dara’s looks like leopard print velvet) or short skirt. Female costuming is confused and random, ranging in style from Arabian Nights to 1950s American Prom. Of course, I am not complaining; in fact along with the music by Usha Khanna, muscular men and pretty women in sparkly costumes are basically the reason to see this. Along with the monster named Octopus which is actually a man in an ape suit with bear claws.

Oh Indian cinema, you truly are the gift that keeps on giving!

December 23, 2009

Teesri Manzil (1966)

This is one of my favorite films: I love it unconditionally and without reservation and, needless to say, without a shred of objectivity. I will never forget the joy with which I first watched it, a joy that has never diminished, and the love it gave me for Shammi (also undiminished). Shammi Shammi Shammi! I had seen him in a few other films and liked him okay; but this—this sent me tumbling head over heels, never to recover. His charm and chemistry with Asha Parekh stunned me (and so did she). This is also the first Vijay Anand film I saw, and of course I’ve gone on to love a lot more of his work, too. And can I say any more at this point about my Helen worship? I think not.

September 22, 2009

Mehboob Ki Mehndi (1971)

mehboobkimehndi

It’s widely understood that beautiful people get a pass on many things that those less favored in the looks department do not. And so it is with films too. Does it have an intelligent, spell-binding and socially relevant plot? It does not. But it is GOR-geous. Rajesh Khanna is beautiful, Leena Chandavarkar is beautiful, the costumes, the sets, the color…my god, the color! Truly only Indians and possibly the color-blind would think to combine the shades in the screen cap above (plum, scarlet and coral?) but it is spectacular. In an international beauty pageant of cinema, Muslim socials—and this one in particular—would always be a winner.

July 22, 2009

Choron Ka Chor (1970)

choronkachor1

Although made in 1970, this film was clearly shot on a shoestring 1950′s budget by one of my favorite B-movie directors, Mohammed Hussain. It features a very carelessly put-together plot in the hands of a very beefy (some more uncharitable than I might call him paunchy) Dara Singh and his pals Bhagwan and Agha, who are actually very funny—yes, the Comic Side Plot entertains! Opposite Dara is the very lovely Shabnam, and they are supported by the goodness that is Madan Puri and Shetty as bad people. The songs by Dattaram are very lovely too. It shares a lot of quirky Hussain characteristics with the fab CID 909, although it’s a bit more muddled and not quite as much fun. It does make an adequate alternative for a rainy day’s watching if you’re in the mood for wacky nicknames and silly disguises and don’t need much of a story.

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