I have seen Kiran Kumar as a hero in a few films now and loved him in every single one. He has a sweetness about him, slightly clueless but kind at heart, which I find really appealing. He might not carry off “Angry Young Man” roles, but he is great in romantic and comedy films. This particular movie only falls under the comedy genre accidentally, but the role of a befuddled hayseed led astray by sophisticated evildoers is just perfect for Jeevan’s beta.
If I weren’t so lazy I would start another blog made up of nothing but the muddled synopses with which foreign cinema dvds are littered.
Sometimes they make me wonder why I even bother when my own prose will so obviously never reach such fevered heights.
And also, it looks like I may need to fast-forward through the first half of this one in order to get to the poisonous tentacles of the drug peddlers as fast as possible. Many thanks to Todd for bringing it so vividly to my attention.
I don’t even know what to say today…thanks to all of you who have come here to share your tributes and sorrow with me. He will always have a special place in my heart and I am so blessed to have been able to experience his warmth and enthusiasm and love of life in person: it never diminished, and now it never will.
Rest in peace, you lovely, lovely man. I like to picture you reunited with your beloved Geeta, and I wish for everyone whom you loved so much—especially Neila Devi, Aditya and Kanchan—to find strength in that love now. A star that shines as brightly as you always have can never ever be dimmed.
Here we have another relatively obscure film which does not deserve to be abandoned to the unprofessional shenanigans of Ultra, although it isn’t any masterpiece for sure. But stars Shashi Kapoor and Sharmila Tagore are young and gorgeous, as is the exotic setting (Kenya, complete with Masai warriors and lovely wildlife footage). They are backed up by the *extreme* cuteness of Laxmi Chhaya—who dances several times too—and the blessed presence of stalwarts Madan Puri, Rajendranath, Nirupa Roy, and Jayant. It is of course not subtitled and much of the angst went over my head (not necessarily a bad thing); but I loved the travelogue eye-candy of the first half and giggled through the melodramatic soap-opera quality of the second half, complete with crazed camera angles and abundant overuse of the zoom lens, Emoting Shashi, and strident musical effects.
My mother, bless her, likes to watch Indian movies with me. Dhund has been on my short list to watch for some time now, and given our mutual love of mysteries it seemed a good pick—and so it was! We both really enjoyed it, and were mystified as to how it would end right up to the end. Based on an Agatha Christie play called “The Unexpected Guest”, it’s an atmospheric ensemble piece where everyone involved gets to shine (as much as the pervading fog will allow). Besides the main whodunit plot, there is also a charming and unusual effort to portray the police as competent and not-corrupt, one of whom is Madan Puri of all people.
Plus: a new/old mystery hotel!